Tag Archives: Toni on Trial

No-One Cheers for Norah (1972)

Sample Images

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“No-One Cheers for Norah” was one of Sandie’s very first stories. It is going to be discussed here because it has been mentioned in several Jinty blog entries as sharing parallels with Jinty’s “Toni on Trial”. There has been speculation it was the same writer. A promising athlete (or swimmer in Norah’s case) finds her career under threat from an old theft charge that was levelled at her mother/father.

When examining this story I also noticed it shares parallels with “Tricia’s Tragedy”, so it could be the same writer here too.

Published: Sandie #1, 12 February 1972 – #12, 29 April 1972

Artist: John Armstrong

Writer: Unknown

Plot

Norah Day is a keen swimmer, but her widowed father is so poor they are driven to training her in the canal. Nonetheless she has managed to win one trophy.

Dad falls ill and Norah is sent to stay at rich Uncle Phillip’s while he’s in hospital. Straight off the mark though, her relatives treat her like a piece of dirt. They call her a “slum kid”, a disgrace to the family, and they don’t let the neighbours even see her. Cousin Lorna says she doesn’t want her friends to know Norah is her cousin. They make her sleep in a shabby attic when they could easily give her a nice room. At mealtimes they won’t let her share the table with them and she has to eat separately. They see her as being more useful as a servant. In fact, that is what they lead Mrs Maddox, the president of the Dolphins Swimming Club that Lorna is a member of, to believe – that Norah is their new help. Lorna even throws Norah’s newly won trophy out the car window!

When Norah tries to join the Dolphins Swimming Club too, Lorna rips up Norah’s swimsuit and tells her to get out of the club. The relatives are making it loud and clear that they are not going to let Norah keep up her swimming, especially as it could pose a threat to Lorna’s swimming career. Swimming club President Mrs Maddox says she wants Lorna to win the club championship again and she thinks Lorna is now ready for bigger things. Besides, there are the swimming club fees Norah can’t afford and of course her horrible relatives won’t cover them.

Determined to keep up her swimming, Norah turns to swimming in the park lake. Eventually Mrs Maddox notices Norah and offers her a free place, but she has to go through a trial, which Norah wins despite a number of faults in her swimming. They decide the faults can be corrected with proper training, and on the whole Norah has potential as a swimmer. They agree to let Norah compete in the championship finals. Lorna realises how big a danger her cousin is. She still lets Mrs Maddox think Norah’s the family servant and enrols her at the club under a false name. The other club members are snobby and look down on Norah too, and the committee is quite snobby towards her as well. Meanwhile, Mrs Maddox senses that Norah reminds her of someone, but can’t quite place it.

When the news gets back home, the family predictably treat Norah worse than ever. However, Mrs Maddox eventually discovers how badly they are treating Norah, and how they have led people to believe she is their servant because they were too snobby to let them know the truth. Mrs Maddox is the most important person in town, so being shown up in front of her is extra-humiliating for the nasty relatives.

Poor Norah still has to wait upon her snooty relatives, though. And they still pose a threat to her swimming: Uncle Phillip says he has to tell Mrs Maddox who Norah really is because of the difficult position Norah has put them in. Meanwhile, Mrs Maddox begins coaching to correct Norah’s swimming faults and she begins to improve.

But then Uncle Phillip tells Mrs Maddox what he had been planning to tell her, and making the excuse it was the reason they had put up the story Norah was their servant. Whatever it is, it has Mrs Maddox deeply shocked and telling Norah it is best they don’t meet again. Norah has no idea what it is about. When she confronts Lorna, Lorna says her father was a crook who served jail time. Norah thinks Uncle has been telling Mrs Maddox a pack of lies. Lorna picks a fight with Norah, which Uncle and Aunt blame Norah for. He says he’s not keeping Norah in the house any longer and sends her to his clothing factory in Claydon, where he instructs his manager to give her all the worst jobs.

Norah goes to see Mrs Maddox, who says the story is true. Norah’s father was once the secretary of the club, but was sent to jail for stealing a sum of £480 from the club twenty years ago. Realising Norah is not like her father (as Uncle said), Mrs Maddox resumes Norah’s training. She is going to put Norah in the Dolphins team and get the English selectors to take a look at her. This is something Norah’s father always wanted as his imprisonment robbed him of that chance, but he can now fulfil it through Norah.

Norah goes to see her father. Dad’s condition has worsened, and the only thing keeping him going is the hope Norah will be selected for England. His thought bubbles reveal he is innocent of the charge that sent him to prison. So who is guilty?

After visiting her father Norah can’t go back to her uncle’s, so she sleeps in her dad’s house. But then new tenants move in. Norah has no choice but to go back to her uncle’s – only to be thrown right out of the house. They figure a night of roughing it in bad weather will make Norah unfit for the selections. Norah sneaks into her uncle’s factory to spend the night there.

While looking for food Norah comes across an old document, which reveals Uncle Phillip set up his business with a down payment of £480. This is the exact amount Norah’s father was accused of stealing, and the date of the down payment corresponds with the time the money was stolen. Norah recalls that Uncle Phillip used to bear a physical resemblance to Dad. Then she puts two and two together.

Uncle Phillip now catches her in the act and she confronts him over what she has deduced: he stole the money and left Dad to carry the can over it when (presumably) they mistook Uncle Phillip for Dad because of the physical resemblance. When she tries to run for it he knocks her out and locks her in the cellar (at least with some food and water). Norah escapes through a drain, but has to swim for her life against a torrent of dye waste being released from the factory. By the time she arrives at the baths she is bright purple!

Norah tells Mrs Maddox what happened and what she has discovered about Uncle Phillip, flourishing the document she still has (and has somehow survived the dye bath). She also begs to be allowed to compete for her father’s sake. Mrs Maddox says they will sort out the theft business later, and tells Norah she can compete. Everyone knows this is going to be tough because they know Norah is exhausted from that dye bath swim and Lorna won’t give an inch. And the Dolphins club girls are still unfriendly to Norah. As the race unfolds, however, cheers are heard for Norah as people see how well she is swimming despite everything. Norah’s determination, lust for revenge, and amended swimming faults are outweighing her tiredness. She wins against Lorna and is selected for England.

Afterwards, Mrs Maddox tells Norah her uncle just slunk off and the guilty look on his face told her all she needed to know. Mrs Maddox then tells Lorna to pack up and leave the Dolphins Club: “there’s not very much to be said for you either!” Lorna is roundly booed as she goes, for word has been around. Soon after, Lorna and her parents move away in shame.

Mr Day recovers and is eager to start a new life now that his name has been cleared. This includes marrying Mrs Maddox, and Norah welcomes her as a stepmother. Six weeks later, Norah wins her first race for England.

Thoughts

These will be discussed in context of the parallels with “Toni on Trial” and “Tricia’s Tragedy”. There certainly is a parallel with Toni in that a wrongful charge of stealing from a sports club was levelled at the protagonist’s parent years before and is threatening her own sports career. However, the wrongful charge is a much more powerful plot driver in Toni than in Norah. In Toni it’s established by part three and casts a cloud over the protagonist that just won’t go away because the townsfolk just won’t forget and the real culprit keeps fuelling it. So Toni is anxious to get to the bottom of it all for her own sake as well as clearing her mother’s name. In Norah the wrongful charge is not even revealed until nearly two thirds of the way through the story, and it’s only done so because Uncle Phillip believes it’s the only way to neutralise the threat Norah poses to Lorna. Even after it’s established, clearing the parent is not a priority. It only happens by sheer luck in Norah finding the document, drawing the right conclusions, and Mrs Maddox believing her. The wrongful charge and exoneration serve more as part of the plot resolution and punishing the unpleasant relatives than driving the plot as they do in Toni. The story format is more like a Cinderella story than an “exoneration” story, as was the case with Toni.

The parallels with Tricia are much stronger. First, both stories feature swimming. Second, a rogue uncle is responsible for a wrongful accusation against the protagonist’s father, which has driven him and his family deep into poverty while the rogue uncle’s family have grown richer and cruel to them because of it. Third, in both Norah and Tricia the protagonists can’t afford to train at the baths so they have to resort to a quarry pool (Tricia) or a canal or lake (Norah). Fourth, divisions between rich and poor have created further rifts between the poor protagonist and her unpleasant rich relations, who just rubbish her and her family. But the nasty relatives are not content with this and try to ruin the protagonist even more to stop her triumphing over their daughter at an important swimming match. In the case of Tricia it’s to stop her inheriting money from her grandfather. In Norah, it’s because they’re so snobby they don’t even want people to know she is family. Fifth, in both Norah and Tricia the unpleasant relatives take advantage to bully the protagonist, turn her into a slave, and pull all sorts of nasty tricks to stop her beating the cousin in the swimming match. Finally, in Norah and Tricia it all culminates in the swimming match where everything is at stake and it’s a battle for revenge. And once the truth is established, both the unpleasant cousins in Norah and Tricia are roundly booed off and soon move away in shame with their parents.

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Sandie 25 March 1972

Sandie 25 March 1972.png

  • No-one Cheers for Norah (artist John Armstrong)
  • Odd Mann Out (artist A.E. Allen)
  • Brenda’s Brownies – cartoon strip (artist unknown)
  • Anna’s Forbidden Friend (artist Miguel Quesada)
  • The School of No Escape (unknown artist – Merry)
  • Our Big Secret (artist Jim Baikie)
  • Not So Lady-like Lucy (artist unknown)
  • Wee Sue (artist unknown)
  • Wendy the Witch – cartoon strip (artist unknown)
  • Sandra Must Dance (artist Douglas Perry)
  • Bonnie’s Butler (artist Richard Neillands)
  • Silver is a Star (artist Eduardo Feito)

Sandie ran from 12th February 1972 to 10th October 1973 and was edited by John Wagner. She then merged with Tammy, bringing “Jeannie and Her Uncle Meanie” and, more importantly, “Wee Sue”, who would last in Tammy until 1982.

I do not have the first issue of Sandie, so the seventh is presented to represent some Sandie context in Jinty’s family tree. The content of Sandie feels closer to that of the early Jinty than the early Tammy, which was more into dark tales of cruelty, abuse, exploitation and slavery. Sandie did have her share of such tales, but there was more of a blend with other types of serials. She did not have the heavy emphasis on science fiction and fantasy that Sally had either.

Tammy readers would be surprised to see how Wee Sue looked when she first began in Sandie, for her strip bears little resemblance to its premise in Tammy. Here it was not played for light relief and did not use a “story of the week” format where Sue’s famous big brains would come up with ways to get out of various scrapes, being the bane of the bullying Miss Bigger, or sort out someone’s problem. She does not attend Milltown Comprehensive and there is no Miss Bigger at all. Instead, her strip looks more like a serial, and she is a scholarship girl at exclusive Backhurst Academy, which has emphasis on sport. But it is facing closure, so Sue is trying to come up with a way to save it.

“No-one Cheers for Norah” has such a similar premise to Jinty’s “Toni on Trial” that there has been speculation that it was the same writer. Similar to Toni, Norah Day’s father was accused of theft at a sports event years ago; the scandal just refuses to go away and the stigma is now threatening Norah’s own career in the same sport. And both girls have to contend with a scheming, jealous rival as well. But Norah’s story has a tighter plotting than Toni’s; it is resolved in 12 episodes as compared to Toni’s 21, and the resolution is far more action-packed. It may also be the same writer as Jinty’s “Tricia’s Tragedy” as both serials climax with a do-or-die swimming race against a spiteful cousin, who gets roundly booed off for her conduct afterwards.

In “Odd Mann Out”, Susie Mann leads the resistance against the tyrannical administration at her school. The tyranny is not as over the top as in some stories with a dictatorial school (say “The Four Friends at Spartan School” from Tammy), which is quite refreshing. “The School of No Escape” has a school falling under a more mysterious form of oppressive administration – pupils mysteriously disappearing and then turning up in hooded robes and looking like they’ve been brainwashed or hypnotised.

“Anna’s Forbidden Friend” is a poor girl befriends rich girl story. But the threat is not so much from the rich father but his manager, who is conducting unscrupulous evictions. In “Our Big Secret”, the threat to a friendship comes from a Mum who won’t allow dogs, so Poppy Mason has to keep her new dog Pedro secret. This leads to hijinks, such as Pedro unwittingly starting a ghost hunt in this issue.

Aristocracy also features in a few strips. In “Not So Lady-like Lucy” it’s hijinks My Fair Lady style. In “Little Lady Nobody” it’s an evil squire out to cheat his niece out of her inheritance and even – shades of “Slaves of ‘War Orphan Farm’” – make her work in a quarry! It’s even the same artist. Is that coincidence or what? And in “Bonnie’s Butler”, life gets more interesting for Bonnie Belthorp when she inherits a butler called Greston.

There just has to be a ballet story, and in this case it is “Sandra Must Dance”. Sandra can only dance through a psychic bond with her twin sister. Not the best way to be assured of a secure career, as the twins begin to discover in this episode. And now a jealous rival has worked out the secret too.

Eduardo Feito was a popular choice for drawing horse stories, especially ones that feature show jumping. “Silver is a Star” here is no exception.

And of course there are regular cartoon strips. In the case of Sandie it’s “Brenda’s Brownies” and “Wendy the Witch”.

Jinty 22 December 1979

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  • Pam of Pond Hill (writer Jay Over, artist Bob Harvey)
  • Gaye’s Gloomy Ghost – first episode (artist Hugh Thornton-Jones)
  • Christmas Sweets and Nuts – feature
  • Spirit of the Lake – first episode (artist Phil Townsend, writer Benita Brown?)
  • Alley Cat
  • Tale of the Panto Cat
  • Toni on Trial (artist Terry Aspin)
  • Sports Pages – Tessa Sanderson
  • White Water (artist Jim Baikie)
  • When Statues Walk… – first episode (artist Phil Gascoine)
  • Rinty ‘n’ Jinty
  • Black Sheep of the Bartons – final episode (artist Guy Peeters, writer Alison Christie)

My copy of this issue is so badly doodled from a previous owner that I had to go to Catawiki for a scan of the cover to put up. Thank you, Catawiki!

This issue starts Jinty’s Christmas fun, yet the three new stories that start in this issue all have ghost themes. The most significant of them is perhaps “Gaye’s Gloomy Ghost”. Sir Roger and his fellow ghosts are outraged at how tourism and commercialism at Stoney Hall are destroying their respectability as ghosts. The other two resident ghosts walk out to haunt a nice quiet graveyard, but the Shop-Steward of Amalgamated Association of Resident Ghosts and Haunters (A.A.R.G.H!) gives Sir Roger the power to materialise sometimes so he can really put a scare into those pesky tourists. Sir Roger is all eager to start with Gaye, the caretaker’s daughter who is the worst of them all – but the blurb for next week hints that it’s not going to be as easy as that.

“When Statues Walk…” is the ghost story that really sets out to be scary. North Street has a reputation for being haunted, and weird things start happening when workings start there. Then the screaming really starts when Laura takes home some broken pottery from the site and reassembles the pieces. But it’s not her that’s screaming – it’s the Viking head that the pieces have made!

And the third ghost story is “Spirit of the Lake”, a supernatural companion story where the ghost offers coaching in skating as well as comfort to Karen Carstairs, who is not made to feel welcome in the home of her relatives.

It’s the last episode of “Black Sheep of the Bartons”. Bev was resorting to the desperate measure of quitting judo to gain her father’s trust. But now fate has enabled her to prove herself to him without giving up her beloved judo, and she’s a heroine too! And the ghost theme continues with a complete Christmas ghost story that will fill Bev’s old slot, and then a new story starts for New Year.

In part two of “Pam of Pond Hill”, Miss Peeble is having trouble finding her feet as a teacher. Fred and Terry take advantage to give her a bad time while Pam tries to help her, but it’s got her branded as teacher’s pet.

In “Tale of the Panto Cat”, Verna gets so spiteful at wrecking the Cinderella panto that she causes sabotage and injuries. And it looks like she’s achieved her aim – all the stars of the show are now out of action because of her. They really need a fairy godmother now if the show is to go on.

Everyone is picking on Toni at the athletics club because of her mother being branded a thief. Two girls are even playing spiteful tricks on her, and it looks like they’re set to continue for the duration of the story. And Bridie’s mum won’t even let her pursue canoeing, because she thinks all water sports are dangerous after the accident that killed her husband.

Jinty 5 April 1980

Jinty cover 5 April 1980

  • Spirit of the Lake (artist Phil Townsend, writer Benita Brown?)
  • Gaye’s Gloomy Ghost (artist Hugh Thornton-Jones)
  • Bridge of Heart’s Desire – Gypsy Rose story (artist Trini Tinturé?)
  • Wildflower Wonderland (feature) – last part
  • The Venetian Looking Glass – (artist Phil Gascoine)
  • Alley Cat
  • Toni on Trial (artist Terry Aspin)
  • Sports Pages – Lorna Vincent; Winning Ways 11 (writer Benita Brown)
  • Rinty ‘n’ Jinty
  • White Water – (artist Jim Baikie)
  • Easter Bonnet Crossword
  • Tearaway Trisha – (artist Andrew Wilson)

Cover for

This is the issue before Penny merged with Jinty. The announcement (above) says that next week we say hello to Seulah the Seal, Tansy of Jubilee Street and Snoopa. So what ends in this issue that gives way to them?

Nothing much, really. Pam takes a break in this issue. But then her previous story finished last issue and they clearly wanted her to start with a whole new story for the merger – a wise decision. It is the last part of Wildflower Wonderland. And it sounds like it is the end of “Toni on Trial” soon, because Toni has at last found someone who could help clear her mother, and the blurb for next week tells us there will be another clue. Just as well, because the town is really rubbing Toni’s nose into her mother’s disgrace this time, with a cruel headline: “Brave Girl Saves Cup Her Mother Stole!” Poor Toni is in tears!

But all the other stories are still going strong and clearly have a way to go. “White Water” has been going as long as Toni, but there is no hint of it ending yet. Maybe there will be in the next episode or two. Trisha finally has an idea to raise the money for Fran’s operation, but Fran is not impressed with all the publicity and turning on Trisha big time. And Lucy is still haunted by the evil mirror and shoes that make her do things and go places she does not want.

The Gypsy Rose story, “Bridge of Heart’s Desire”, fills in the Pam slot this week. It is reprinted from June and will later be reprinted in Tammy. The story prompted a letter from one reader who said she turned this story into a play when her drama class was assigned a task of putting on their own play and nobody had any idea what to do. She went through her old Jintys and decided this story was just right for it. The teacher thought the end result was “very good”.

Jinty 29 March 1980

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  • Pam of Pond Hill (writer Jay Over, artist Bob Harvey)
  • Wildflower Wonderland (feature)
  • Spirit of the Lake (artist Phil Townsend, writer Benita Brown?)
  • Rinty ‘n’ Jinty
  • Gaye’s Gloomy Ghost (artist Hugh Thornton-Jones)
  • The Venetian Looking Glass – (artist Phil Gascoine)
  • Alley Cat
  • Toni on Trial (artist Terry Aspin)
  • Sports Pages – Suzanne Dando; Winning Ways 10 (writer Benita Brown)
  • White Water – (artist Jim Baikie)
  • Tearaway Trisha – (artist Andrew Wilson)
  • Sandwich Crunch – feature

In Pam of Pond Hill, the school dinner dilemma has gotten worse, not better, with the departure of Mrs Harvey. Mrs Bounty refuses to return, and the temps are producing dinners that are completely inedible.

Talk about life (or death?) imitating art – Karen discovers that when she was alive, her phantom coach starred in a movie where she played a ghost who haunted a lake and taught a child to skate. Now she’s doing it for real as the “Spirit of the Lake”.

The ghost that haunts the “Venetian Looking Glass” forces Lucy to rip up her cousin Rosalind’s embroidery. And she doesn’t even remember what happened afterward.

Resident ghost Sir Roger does not think much of Gaye’s disco gear (and it does look kind of ridiculous). He thinks the Elizabethan dress in a portrait is more becoming for her. Gaye is surprised to find that Sir Roger is right – the dress does suit her once she tries it on. What’s more, it comes in dead useful when a thief tries to steal the portrait!

The grandparents won’t allow Toni to go to the celebration party for winning the trophy, because it was at such a party that the cup was found in her mother’s bag and she was branded a thief. Toni goes anyway, but it looks like the grandparents had the right idea after all – Julie is now accusing Toni of stealing the same trophy!

Bridie finds out too late that Jocelyn had tricked her; she feigned trouble to have Bridie come out and rescue her, but things looked the other way around to the campers. And things get even worse when Bridie ends up as Jocelyn’s servant and at her beck and call all the time.

Trisha goes to a cycling show, and is picking up tips from the performers themselves. But she gets more than she bargained for when the female performer nips off just before a performance to get some food (naughty, naughty!) and the other performers ask her to fill in.

Jinty 16 February 1980

Jinty cover 16 February 1980

Stories in this issue:

  • Pam of Pond Hill (artist Bob Harvey, writer Jay Over)
  • Gaye’s Gloomy Ghost (artist Hugh Thornton-Jones)
  • Spirit of the Lake (artist Phil Townsend, writer ?Benita Brown)
  • Alley Cat
  • The Perfect Princess (artist Trini Tinturé)
  • The Poisoned Rose – Gypsy Rose story (artist Trini Tinturé)
  • Toni on Trial (artist Terry Aspin)
  • Robin Cousins (text feature)
  • Winning Ways 6: The Dolphin Butterfly Stroke (writer Benita Brown)
  • White Water (artist Jim Baikie)
  • When Statues Walk… (artist Phil Gascoine)

What a jolly, lively cover! The next week’s issue will have a much more dramatic set of images, but it’s nice to have some variety.

This issue leads off with the mostly-humorous stories of “Pam of Pond Hill” and her friends. Marty is suffering through having her brainy sister Trina as her training coach – suffering being the right word because she is also hiding a sports injury, or trying to. Pam is worried because she can see something is wrong although Marty isn’t letting on – but as the episode ends up with Marty lying on the shower room floor in a faint, the cat is let out of the bag! This is a well-handled example of the ‘stony face’ sort of plot idea – the suffering heroine who tries to hide it, normally very annoyingly. In this story we feel genuinely worried for Marty, alongside Pam and her friends.

In “Spirit of the Lake”, horrid Cynthia is laying it on thick by pretending to have lost her memory of the accident in the previous episode, whereas really she wants to trick Karen into revealing her secret skating teacher. The tables are turned when Karen is stopped from following the speed-skating Cynthia down the end of the lake – because the ghostly skater has turned up to warn of thin ice and deadly danger! Will Karen be able to skate fast enough to save Cynthia next week – and will Cynthia be at all grateful, I wonder?

The Perfect Princess” shows the aftermath of the exploded cannon in the tower that Victoria was trapped in – her parents think she is dead and even her rival Sally is faintly sorry: “Victoria was anything but sweet and lovely! Still, I wouldn’t have wanted her blown up.” However, Victoria is alive and well and still scheming – and has been handed an absolute godsend tool to use against her challenger, in the form of precious information about Sally’s background that she had been trying to keep hidden.

There is a second Trini story in this issue – a Gypsy Rose story of a spiteful cousin who asks a wicked magician for a charm to make sure that her object of desire falls in love with her and not her rival. The charm turns the sweet cousin into a bad-tempered shrew – but true love wins through before too long.

“Toni on Trial” has Toni running away from her club’s outing on a bleak rainy night; but this turns into a blessing in disguise when she finds a frightened kid whose friend has had an accident. Toni applies some basic first aid and common sense, and runs to get help; but meanwhile, her friend Anne has gone to Toni’s grandparents house and broken the news that she has run away, which the grandfather reacts very badly to – by burning Toni’s new running shoes! “It’s like her mother all over again! She brought shame on the family. Now her daughter’s done the same! … As long as she lives in this house, she’ll never take place in another race!”

The Sports Jinty pages in the middle of the comic feature ice skater Robin Cousins – very suitable for a weekly paper with an ice skating story in it – and a didactic strip showing you how to do a butterfly stroke in swimming, by kicking like a dolphin. It’s quite a good teaching method, I suspect, for small and specific ways to improve your performance in your chosen sport. Here is an example page, as we have not shown one before on this blog.

The Dolphin Butterfly Stroke
click thru

Bridie Mason is finally paddling her own canoe rather than a borrowed club boat. Here again there are a number of teaching tips – in this case on understanding the ‘draw stroke’. It’s far from all about teaching though – the drama is not far away as snobby rival Jocelyn is happy to needle Bridie into spending money she can’t really afford, not when she still has to pay off her new canoe. She finds the money by agreeing with her mother that they can sell her electric sewing machine, but it all backfires when her canoe teacher lets the cat out of the bag that Bridie has already earmarked the money for her new “White Water”!

“When Statues Walk” has Laura thinking she is rescuing an innocent princess from the fearsome clay warriors; there are some lovely, atmospheric pages as she makes her way past the watchers to the buried longship with the prisoner. The prisoner is untied – and the deception is unravelled too, as it becomes clear that she is not Princess Leh, but Hel, demon goddess of the underworld!

Jinty 26 January 1980

Jinty 25 January 1980

  • Pam of Pond Hill (writer Jay Over, artist Bob Harvey)
  • Gaye’s Gloomy Ghost (artist Hugh Thornton-Jones)
  • Spirit of the Lake (artist Phil Townsend)
  • The Perfect Princess (artist Trine Tinturé)
  • Toni on Trial (artist Terry Aspin)
  • Sports pages – Clare Francis; Winning Ways (writer Benita Brown)
  • White Water – (artist Jim Baikie)
  • Jinty Verse Calendar pullout
  • When Statues Walk… (artist Phil Gascoine)

Pam of Pond Hill starts a new story about sporty Marty and her bossy sister Trina, who starts interfering to make her even better with bookish learning about athletics. Meanwhile, Bridie turns to books as well, to resurrect “White Water”.

In “Gaye’s Gloomy Ghost”, the ghosts of Gallows Hill think Sir Roger’s a traitor for fraternising with a human being and are out for blood, but Gaye’s got a plan for dealing with them. Knowing her, perhaps we should feel sorry for those ghosts.

In “Spirit of the Lake” spiteful Cynthia is getting suspicious of Karen and her secret training. It had to happen. And in “Toni on Trial”, it looks like the dirty tricks Sharon played on Toni have paid off. But there is one event Sharon can’t sabotage for Toni….

Princess Victoria’s dirty tricks succeed in getting rid of another rival – one who was playing as dirty as she is. But it isn’t Sally, the one Victoria really wants out of the way. And now Sally has been alerted to Victoria. But they both get a shock when the King finds another candidate more favourable.

In “When Statues Walk”, a teacher confiscates the pendant. As Laura fears, it brings another walking Viking statue to the school to make a grab for it – which doesn’t do much for school property. Worse, Laura’s getting the blame for the damage!

Jinty 15 March 1980

JInty 15 March 1980

  • Pam of Pond Hill (writer Jay Over, artist Bob Harvey)
  • Wildflower Wonderland (feature)
  • Spirit of the Lake (artist Phil Townsend, writer Benita Brown?)
  • Tearaway Trisha – (artist Andrew Wilson)
  • Gaye’s Gloomy Ghost (artist Hugh Thornton-Jones)
  • The Venetian Looking Glass – (artist Phil Gascoine)
  • Toni on Trial (artist Terry Aspin)
  • Superstar Superbrat! – feature
  • White Water – (artist Jim Baikie)
  • When Statues Walk… – final episode (artist Phil Gascoine)

Tearaway Trisha’s getting the blame for a girl’s accident, despite the fact that it was due to her slipping on an oil patch and the site of the crash having a reputation as a “black spot” that has already been the scene of several accidents. Guess that’s what comes of building up a reputation as a dangerous cyclist.

Meanwhile, poor Toni is back in the game, but still can’t shake off her reputation as a thief because of what her mother was accused of. And now salt really is being rubbed into the wound, because Toni is about to compete for the same trophy her mother was accused of stealing.

It’s the last episode of “When Statues Walk…”. The stone warriors track down the evil Hel, who has possessed Laura’s body, but will they be in time to switch them back? Laura’s trapped in Hel’s body, which is showing no more signs of life. If she really is dead, Hel stays in her body and wins the day. Meanwhile, in Gascoine’s new story, “The Venetian Looking Glass”, another evil form of possession is now establishing itself over Lucy Craven.

In Pam of Pond Hill, the protest over the school’s new health menu has gone too far and Pam now fears the wrath of Mr Gold, the strict headmaster. However, next week’s blurb informs us that Mr Gold is going to be eating humble pie. Things are not going well for Bridie either on the canoeing camping trip. And we are told that it’s going to get worse next week, when she becomes the camp outcast.

In “Spirit of the Lake”, Karen’s now accepted she has a ghost for a coach. Trouble is, she still has a spiteful cousin for an enemy. And “Gaye’s Gloomy Ghost”, who had taken a break last week, is back. Sir Roger has found out a banquet is being prepared at Stoney Hall, and his interference could ruin it. We have to wait until next week to find out if there will be a feast or a fast.

Jinty 8 March 1980

JInty 8 March 1980

  • Pam of Pond Hill (writer Jay Over, artist Bob Harvey)
  • Wildflower Wonderland (feature)
  • Spirit of the Lake (artist Phil Townsend, writer Benita Brown?)
  • Tearaway Trisha – first episode (artist Andrew Wilson)
  • The Venetian Looking Glass – first episode (artist Phil Gascoine)
  • Toni on Trial (artist Terry Aspin)
  • Girl on a Chestnut Champion – feature
  • White Water – (artist Jim Baikie)
  • When Statues Walk… (artist Phil Gascoine)

This issue starts the only story that Andrew Wilson, best known for “The Happy Days”, drew for Jinty – “Tearaway Trisha”. Trisha is a good-natured girl, but no sense of safety or consideration when it comes to cycling. Sounds like a recipe for disaster? Yup, and it happens when her bike slips on a greasy patch in the road, which causes a girl named Fran to end up in hospital. Trisha is blamed, which I personally think is a bit unfair. Okay, so she might have noticed the patch if she had been cycling a bit more carefully, but it was there when it shouldn’t have been.

Gascoine has a history of overlapping stories in Jinty, and this one is no exception. He starts on “The Venetian Looking Glass” (following the Jinty tradition of evil images in mirrors) while still working on the penultimate episode of “When Statues Walk…”. Steve’s discovered the body switch the evil goddess Hel pulled with his sister Laura, and is shocked to find Laura trapped in the ageing body of Hel, which could give out any minute now. If it does, Laura will die while Hel continues to wreak havoc in Laura’s body!

In “Pam of Pond Hill”, health food takes over at the school canteen after it pushes Mrs Bounty out. But the kids don’t take to it and want their chips and Mrs Bounty back. And that means protest action!

“Toni on Trial” has lost her resolve because of the shadow from her mother’s disgrace has gotten too much. Sharon Peters is taking unusual action to get Toni back in the game. In “White Water” Bridie’s on a camping canoe holiday but things are not going smoothly – not least because of jealous Jocelyn. And can the “Spirit of the Lake” meet Karen at the ice-rink now the lake has thawed? Oh yes, and now Karen realises who she is!

Jinty and Penny 19 April 1980

JInty 19 April 1980

  • Pam of Pond Hill (writer Jay Over, artist Bob Harvey)
  • Gaye’s Gloomy Ghost (artist Hugh Thornton-Jones)
  • Spirit of the Lake – final episode (artist Phil Townsend, writer Benita Brown?)
  • Seulah the Seal (artist Veronica Weir)
  • Snoopa (artist Joe Collins)
  • Tearaway Trisha (artist Andrew Wilson)
  • The Venetian Looking Glass (artist Phil Gascoine)
  • Tansy of Jubilee Street (artist Ken Houghton)
  • Toni on Trial – final episode (artist Terry Aspin)
  • Sports Pages: meet Teenage Birdman Steve Collins
  • White Water (artist Jim Baikie)

This is the second issue after the Jinty and Penny merger. The cover gives British readers insight into what happened to the Jintys and Tammys that were sent overseas – not all free gifts that came with an issue could be included in the issues bound for overseas readers. I think this was due to trading restrictions on edible gifts, such as the Mummies sweets that came with the issue; I do recall a Tammy issue with a free gift of confectionery that was similarly excluded from reaching overseas readers. However, there were no problems with gifts like jewellery and novelties.

The issue is now clearing out several stories from Jinty that had been running for some time. Toni on Trial ends with this issue; she just had to, because the previous episode made it obvious as to what the truth is about the trophy Toni’s mother allegedly stole. “White Water”, the story that began in the same issue as Toni, will conclude in the next issue. Jealous Jocelyn is imperilling Bridie’s life by issuing a dangerous challenge that Bridie is not ready for. “Spirit of the Lake” also ends this issue, with Karen going in for a skating scholarship that her jealous cousin tried to block her from. The last panel of the story is turned into a beautiful full-sized panel for the cover.

In the other stories, Tearaway Trisha is humiliated when she is told to take a cycling proficiency course because she is not considered a safe cyclist. In the Venetian Looking Glass, revenge-driven Lucy Craven has caused Rosalind to have a bad accident. Seulah, the serial from Penny, is still going strong. Seulah looks set to be reunited with Bonnie, the girl he has been looking for. But the blurb for next week indicates it is not the end of the story yet. Mr Hunt is dubious about Pam of Pond Hill being the lead in the school play – especially after he hears her singing. But he is soon convinced she has a talent. And Goof discovers a talent as well – for the banjo.