Tammy 10 November 1979

Cover artist: John Richardson

Bella (artist John Armstrong)

Temper, Temper Tina! (artist Giorgio Giorgetti) – final episode

Sarita in Uniform (artist Diane Gabbot(t))

The Fire’s Warning (artist Tony Highmore) – Guy Fawkes Strange Story

Bessie Bunter (artist Arthur Martin)

Molly Mills and the School for Servants – first episode (artist Douglas Perry, Maureen Spurgeon)

Wee Sue (artist Robert MacGillivray)

My Terrible Twin (artist Juliana Buch)

Edie the Ed’s Niece (artist Joe Collins)

Guitar Girl (artist Angeles Felices) – final episode

Spring To It! – Edie’s Hobbyhorse

We now come to the Tammy Guy Fawkes issue for 1979. This was the last Guy Fawkes cover for the Cover Girls. This time the following year, they were gone.

Inside, Bessie, Wee Sue, Edie, the Strange Story and the Tammy Talk page all honour the 5th of November. Even the last episode of Guitar Girl does the same, but in a more frightening way. The spiteful Sabrina tries to burn Jacey’s guitar on the bonfire climaxing the birthday party they are both entertaining at. Jacey nearly gets herself burned alive clambering the bonfire to retrieve it! 

Tina’s story ends, with her learning that trying to conceal her family (in a derelict house?!) was a very foolish, misguided way to keep them from being split up when her mother fell ill, and her actions were only bringing her troubles on herself. Once everyone helps her to handle the problem the right way, everything is far better for her, including the temper that has been her bane since the beginning of the story. 

Sarita in Uniform is evidently nearing its end, for her secret is out! What’s going to happen now? Meanwhile, Bella dodges another close shave in keeping her own secret safe, but here comes another threat to it – blackmail!

Molly Mills starts a new story, “The School for Servants”. What school for servants? So far we haven’t see any school for servants, just some new guests at Stanton Hall – but Molly suspects there’s something odd about them. 

Just when Moira and Lindy have sorted out their misunderstanding, along comes another one – Moira thinks Lindy’s tricked her into a lousy kitchen job on the ship. Oh dear, here we go again – one very angry Moira out to make trouble for Lindy! Is Moira going to be “My Terrible Twin” for Lindy with all these misunderstandings right up until the final episode? It could well be the case.

Tammy 5 November 1983

• Lucky By Name… (artist Juliana Buch, writer Malcolm Shaw)
• Pam of Pond Hill (artist Bob Harvey, writer Jay Over)
• Glenda’s Glossy Pages (artist Tony Highmore, writer Pat Mills)
• Room for Rosie (artist Santiago Hernandez, writer Alison Christie)
• Remember November… (artist Len Flux, writer Maureen Spurgeon)
• The Button Box (artist Mario Capaldi, writer Alison Christie, sub-writer Ian Mennell)
• The Dawn Horse – a Pony Tale (artist Hugo D’Adderio, writer Chris Harris)
• Spell of Fog (artist Tony Coleman, writer Jake Adams)
• The Crayzees (artist Joe Collins)

This was the last Guy Fawkes issue Tammy ever published, and it is bang on 5 November. Tammy dropped Bessie and Wee Sue in 1982, so they are no longer able to provide any special stories for Guy Fawkes. We have a Guy Fawkes feature, “Remember November…” and in “The Crayzees” we learn Miss T does not like fireworks because they are so noisy. So what is in that mystery parcel she has ordered for 5 November? Joe Collins was always one for incorporating the Fireworks Code into his Tammy cartoons and this one is no exception. It is written all around the border of the full-page cartoon. We also have a recipe for a Bonfire cake in “Tammy’s Tasties”.

Room for Rosie had her Guy Fawkes story in the Halloween issue, but there is some carryover this week. Rosie has taken damage from the bonfire party, so her chances of a home have been reduced. Can Pauline find a way to restore her?

A new Pam of Pond Hill starts. It would have been nice if Jay Over had written a Pam of Pond Hill Guy Fawkes story, which is something Pam never had. Instead, Pam and her friends find themselves being roped into a cookery contest by Jenny Bates, who is using the excursion to see her favourite pop group, the Phonees. Moreover, Jenny has chosen them more for their good nature than their talent for cooking. They decide to go along with it because they are under the impression Jenny’s days are numbered and it’s her dying wish. Actually, it looks suspiciously like Jenny’s playing on their sympathy. Anyway, Jenny’s reason for entering them all in the contest is selfish and not giving any thought to winning for the school – which they don’t have much chance of.

In “Lucky By Name” everyone is now thinking Lucky the foal has some strange power over animals. Snobby Amanda and her father demand the foal be examined by a research institute but Lucky’s owners refuse because the institute has an unsavoury reputation for animal experimentation. Now someone is stealing Lucky, and we strongly suspect Amanda and her father are behind it. Lucky, if you really do have a power over animals, now might be a good time to use it…

This week’s episode of “Glenda’s Glossy Pages” was drawn by Tony Highmore instead of Mario Capaldi. Capaldi must have been unavailable for some reason, but he returns in the next episode. In the story, the power of the glossy pages drives off the police who think Glenda stole the items she mysteriously got from the catalogue, but they warn she hasn’t heard the last of them. Next, it looks like the catalogue is helping Glenda by giving her the confidence to swim against her arch-enemy Hillary. But when Hillary suddenly develops cramp, Glenda finds herself just swimming off instead of helping. What the hell has come over her? Well, it’s not hard to guess, especially as Glenda is at a loss to explain it herself but just can’t help it. We rather suspect the same thing is behind Hillary’s cramp too.

The Button Box gives us more Jackson family history this week. This time it’s a World War II story on how gran’s sister met her husband – all through one of the buttons in the box, of course.

This week’s pony tale is a sad one and based on fact. It discusses the last of the Tarpan horse breed in the Ukraine. Sonja and her father travel to the Ukraine in search of the Tarpan breed – only to find the Tarpans are on the brink of extinction and two parent Tarpans being shot by farmers pushes them over the edge.

In “Spell of Fog” Sally is convinced the mysterious rising mist is Alice Compton’s angry response to the sensationalised, historically inaccurate filming of her persecution for witchcraft. But the filming continues, so the mist intensifies. It’s got everyone scared and has even shattered a window.

Beforehand, we are introduced to Alice’s sad-looking self-portrait, the only one of her pictures to survive her burning at the stake. It seems her “extremely modern, natural style” was too far ahead of its time; people called it “the Devil’s likeness” and it sounds like this is one of the reasons why she was branded a witch. The self-portrait is clearly a plot thread to be followed up, but will it be in a way that tells us anything about the mist?