Tag Archives: Tricia’s Tragedy

Jinty 12 April 1975

Jinty cover 12 April 1975

  • The Jinx from St Jonah’s (artist Mario Capaldi)
  • Tricia’s Tragedy (artist Ana Rodriguez)
  • Jinty’s Favourite Spooky Stories: Her Lost Love (text story)
  • Merry at Misery House (writer Terence Magee; unknown artist – Merry)
  • Ten Polaroid Cameras Must be Won! – Competition
  • Dora Dogsbody (artist José Casanovas)
  • Monday’s Child is Fair of Face – first in seven-part series on the old rhyme (artist Phil Gascoine)
  • Cinderella Smith (artist Trini Tinturé)
  • Bet Gets the Bird! (artist Phil Gascoine)
  • Daddy’s Darling (artist Phil Townsend, writer Alison Christie)
  • Slave of the Mirror – final episode (artist Carlos Freixas)

Yee-ikes! Katie is experimenting in the school lab, and we can just imagine what trouble our jinx can get into in the name of science. Sure enough, that’s just what happens. Katie’s trying to make a perfume, but her efforts are more like stink bombs!

“Slave of the Mirror” concludes this week. Isabella, the spirit of the mirror, is having Mia trying to burn down the place. But then Isabella repents and shows herself to everyone to prove it’s not Mia’s fault before departing in peace and disappearing from the mirror. Thereafter, the mirror reflects normally like any other mirror. The replacement story next week is “Face the Music, Flo!

Cindy’s cousins sell all her clothes to make money (as if they don’t have plenty of it already). Worst of all, they also sell Cindy’s beloved pendant, especially as it contains a photo of her mother, whom they really hate for some reason. Cindy is determined to get her pendant back but strikes a problem – no money!

We have double helpings of parrot humour this week, in the Dora Dogsbody story as well as “Bet Gets the Bird!” We also get a double helping of Phil Gascoine, who is not only illustrating Bet but also the first episode of a seven-part serial based on the rhyme of “Monday’s Child”, “Tuesday’s Child” etc. Monday’s Child Christine Carter is very fair of face and because of this, she has always gotten her own way with everyone and overshadowed Mary Jennings. It looks like Christine will do the same with Mary again when they both audition for a drama school. But there is a twist in store that enables Mary to finally get her break and Christine’s charms to fail for once!

Tricia and her father have to creep around their unpleasant relatives to get her back in training in her old training ground of the quarry pool. Then all of a sudden cousin Diana appears at the pool, calling out for Tricia. Now how could she have gotten all the way there? She’s supposed to be blind! All those who suspect there is something fishy about this please raise their hands.

Daddy’s having real fits this week when he hardly needs to. First it’s over Lee being accidentally showered in food scraps and then trying to help the families of the two evacuees. But he really hits the roof when he finds Lee and Maggie sharing the same bed!

Merry’s getaway from Misery House has been stymied by amnesia. At last, she regains her memory when she sees her “wanted” posters. Unfortunately, doing a runner could be awkward because of the kindly family she fell in with while she had amnesia. And what of the nasty butler who hates Merry?

 

 

Jinty #40, 1 March 1975

Cover 1 March 1975

Stories in this issue:

  • The Jinx from St Jonah’s (artist Mike White)
  • Tricia’s Tragedy (artist Ana Rodriguez)
  • Merry at Misery House (writer Terry Magee)
  • Do-It-Yourself Dot (artist Alf Saporito)
  • The Kat and Mouse Game (artist Jim Baikie)
  • Prisoners of Paradise Island (artist Trini Tinturé)
  • The Hostess with the Mostest
  • Dora Dogsbody (artist José Casanovas)
  • Bird-Girl Brenda (artist Phil Gascoine)
  • Always Together… (artist Phil Townsend, writer Alison Christie) – last episode
  • Slave of the Mirror (artist Carlos Freixas)

Katie fools a pony-napping gang in the cover story – there are some crooks who are stealing away the foals of some wild ponies and selling them to a nearby pony riding school. You’d think the school would soon spot that the ponies are wild, but the crooks tell them that ‘they’ll soon settle down’! Well, luckily Katie has hitched a couple of rides – first on one of the mother ponies trekking after her stolen baby, and then in the truck taking the ponies away. So she soon foils the plans, and is a hero to the neighbourhood.

Tricia’s tragedy takes place in this issue – cousin Diana dives too close to Tricia when she is in the pool, and the next thing Tricia knows, Diana seems stunned… unconscious! and when she wakes up, suddenly the cousin has been struck blind.

In Merry at Misery House, she is trying to get to the bottom of the mystery of the sinister figure – the joker who is turning the place upside down, but only at times when Merry is blamed for the pranks! But at last the prankster gets Miss Ball dismissed as deputy warden – and Merry finally gets a clue as to what is happening. We are promised that she will be unmasking the joker – next week.

The Kat and Mouse Game” is nearing its climax. Mouse is still dancing Kat’s part and letting her take the credit, but is hurt because Kat doesn’t seem to be acting like a real friend and taking any interest in Mouse’s small dance solo. The scheming Kat plots to sabotage even this small triumph – but we can tell that it will rebound on her, one way or another. The sample page on the story post shows you what happens in the following week’s episode…

The Prisoners of Paradise Island aren’t yet seeing through the luxury trap that Miss Lush has set for the hockey team. Sally Tuff has managed to get out a radio message to Miss Granley, their sports mistress – will she be the saving grace?

It is the last episode of Always Together…. Little sister Beth is desperately ill but all is sorted out in the final few pages – even to the extent of restoring the lost mother and the family home!

Finally, in “Slave of the Mirror“, Mia is still being manipulated by the mirror at the times when she feels most resentful for her sister’s bossy ways. But nice old Major Rose has build Mia a beach hut that she can escape to when she feels stressed out. She does so, and prepares to go for a dip – unaware that she is being watched by two men. Are they sinister stalkers such as we would expect them to be nowadays, or far more benign?

Jinty #42, 15 March 1975

Cover 15 March 1975

Stories in this issue:

  • The Jinx from St Jonah’s (artist Mario Capaldi)
  • Tricia’s Tragedy (artist Ana Rodriguez)
  • My Perfect Day – themed reader letters
  • Merry at Misery House (writer Terry Magee)
  • The Kat and Mouse Game (artist Jim Baikie)
  • Prisoners of Paradise Island (artist Trini Tinturé) – last episode
  • The Ghostly Wedding – spooky story
  • Dora Dogsbody (artist José Casanovas)
  • Bird-Girl Brenda (artist Phil Gascoine) – last episode
  • Daddy’s Darling (artist Phil Townsend)
  • Slave of the Mirror (artist Carlos Freixas)

Katie is dog-sitting for Lady Lampwick – but the huge dog ‘Cuddles’ looks like rather a handful! She earns enough money to be able to afford a dog of her own, but by the end of the story she is somehow not quite as keen on the idea…

Tricia is forced to slave for her cousin Diana, whose family say was blinded by an accident caused by Tricia. At least, unlike in some slave stories, Tricia is not emotionally fooled by her abusive cousin: they are ‘two people who hate each other… tied to each other by a terrible debt!’

There is a page of reader-produced content: the winning selections in a request made by the Jinty editors for letters on the theme ‘My perfect day’. I reproduce it here particularly because of one letter, ‘Just peace would be perfect’, about living in Northern Ireland – the reader wishes for peace and safety in Belfast. In the intervening years this has indeed come to pass, though there are many fears at present of possible impacts that could affect the Good Friday agreement as and when the UK exits from the EU – and/or the EU Human Rights Convention, the legal framework of which underlies the Good Friday agreement.

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Merry is planning an escape from Misery House, so as to try to warn the outside world of the cruelties that go on inside its walls. The convicts make a dummy look-a-like of Merry, to hide the fact that she is not returning with the rest from an outdoors stint of fence-mending. Will it work?

Kat is still fooling everyone, this time by pretending to sleep-walk to make it look like some missing money was stolen by the innocent Mouse.

It’s the last episode of “Prisoners of Paradise Island” – school sports mistress Miss Granley was Sally Tuff’s hope for outside rescue, but she seems to be in league with the evil Miss Lush. When it is revealed that the teacher is really on their side, Miss Lush pops up and takes Miss Granley hostage – but it all goes wrong for her as reinforcements help the girls to finally fight back against their captors. At the end of the story, we see the hockey team winning the international championship, and we are promised that new dramatic story “Cinderella Smith” (also drawn by Trini Tinturé) starts next week.

It’s also the last episode of “Bird-Girl Brenda” – a very sudden ending, as Brenda discovers that going for a walk with her friends – and someone’s dishy cousin Rob – is just as much fun as flying. Just as well, because her flying powers have abruptly deserted her. Next week we will get new story “Bet Gets The Bird”, likewise drawn by Phil Gascoine – another lightweight humour strip with no overall story arc. Bet was rather more short-lived than Brenda – perhaps it wasn’t as successful – but for whatever reason that left Gascoine drawing more memorable stories such as “The Green People”, “Golden Dolly, Death Dust!”, and of course the long-running “Fran of the Floods”.

It’s early days in “Daddy’s Darling” – protagonist Lee is being looked after so closely by her father that she has no life of her own. Even though she now has to go to the local school, her father is still managing to separate her from others her own age.

Mia Blake is still strongly possessed by the spirit in the mirror – not surprisingly it is feeding off the resentment that Mia feels when her sister prevents her from going into a modelling competition.

Memories triggered

I have recently received a few 1975 issues of Jinty, which I will write individual issue posts about in due course as usual. Before that, I wanted to write a little bit about the memories triggered by seeing these issues again for the first time in many years.

I’ve seen the cover images on Catawiki or similar, and they didn’t particularly lead me to feel that I remembered what the contents were going to cover. Indeed, when starting to read issues 42 and 51, practically none of it triggered any memories from when I was little – “Tricia’s Tragedy”, “The Kat and Mouse Game”, and the end of “Bird-Girl Brenda” rang no bells at all. But looking inside the issue dated 26 July 1975 was a different matter: of course the  front cover with Katie Jinks’ antics was familiar, but so was the inside story of her circus exploits – I wouldn’t have been able to remember it in advance but looking at it again I felt I knew it well. The next story was “Blind Ballerina”, much more familiar to me than “Tricia’s Tragedy” – as I read each page it felt as if it was flooding back to me, not just the plot (which I could have got from Mistyfan’s post on this issue) but the individual panels and the dialogue boxes themselves, too.

Likewise with “The Valley of Shining Mist” – the very first panel of it gave me a shock of recognition, as ‘Dumbie Debbie’ stumbles tearfully away from the poetry reading competition she has been asked to take part in. It is like when Mistyfan sent me a scan of the episode of “Golden Dolly, Death Dust!” from the issue dated 1 November 1975, which I have also just received recently – but until she sent me that scan some months ago now, I hadn’t seen the episode since I was perhaps ten years old or so, and yet the snippet of dialogue where evil witch Miss Marvell poisons the buddleia in the school grounds has lived in my mind ever since then.

My six-year old daughter has taken to reading my old Jintys now (and Sandies, and anything else I leave lying around). She’s enjoying them greatly and can hardly be torn away from them for suppertime and the like. I hope for her sake that when she is my age, she will not just have vague fond memories of this childhood reading, but ingrained snapshots in her mind that are subtly longer-lasting than you could ever have expected – unless of course you hadn’t already had it happen to you.

No-One Cheers for Norah (1972)

Sample Images

noone-cheers-for-norah-2anoone-cheers-for-norah-2bno-one-cheers-for-norah-2-002

“No-One Cheers for Norah” was one of Sandie’s very first stories. It is going to be discussed here because it has been mentioned in several Jinty blog entries as sharing parallels with Jinty’s “Toni on Trial”. There has been speculation it was the same writer. A promising athlete (or swimmer in Norah’s case) finds her career under threat from an old theft charge that was levelled at her mother/father.

When examining this story I also noticed it shares parallels with “Tricia’s Tragedy”, so it could be the same writer here too.

Published: Sandie #1, 12 February 1972 – #12, 29 April 1972

Artist: John Armstrong

Writer: Unknown

Plot

Norah Day is a keen swimmer, but her widowed father is so poor they are driven to training her in the canal. Nonetheless she has managed to win one trophy.

Dad falls ill and Norah is sent to stay at rich Uncle Phillip’s while he’s in hospital. Straight off the mark though, her relatives treat her like a piece of dirt. They call her a “slum kid”, a disgrace to the family, and they don’t let the neighbours even see her. Cousin Lorna says she doesn’t want her friends to know Norah is her cousin. They make her sleep in a shabby attic when they could easily give her a nice room. At mealtimes they won’t let her share the table with them and she has to eat separately. They see her as being more useful as a servant. In fact, that is what they lead Mrs Maddox, the president of the Dolphins Swimming Club that Lorna is a member of, to believe – that Norah is their new help. Lorna even throws Norah’s newly won trophy out the car window!

When Norah tries to join the Dolphins Swimming Club too, Lorna rips up Norah’s swimsuit and tells her to get out of the club. The relatives are making it loud and clear that they are not going to let Norah keep up her swimming, especially as it could pose a threat to Lorna’s swimming career. Swimming club President Mrs Maddox says she wants Lorna to win the club championship again and she thinks Lorna is now ready for bigger things. Besides, there are the swimming club fees Norah can’t afford and of course her horrible relatives won’t cover them.

Determined to keep up her swimming, Norah turns to swimming in the park lake. Eventually Mrs Maddox notices Norah and offers her a free place, but she has to go through a trial, which Norah wins despite a number of faults in her swimming. They decide the faults can be corrected with proper training, and on the whole Norah has potential as a swimmer. They agree to let Norah compete in the championship finals. Lorna realises how big a danger her cousin is. She still lets Mrs Maddox think Norah’s the family servant and enrols her at the club under a false name. The other club members are snobby and look down on Norah too, and the committee is quite snobby towards her as well. Meanwhile, Mrs Maddox senses that Norah reminds her of someone, but can’t quite place it.

When the news gets back home, the family predictably treat Norah worse than ever. However, Mrs Maddox eventually discovers how badly they are treating Norah, and how they have led people to believe she is their servant because they were too snobby to let them know the truth. Mrs Maddox is the most important person in town, so being shown up in front of her is extra-humiliating for the nasty relatives.

Poor Norah still has to wait upon her snooty relatives, though. And they still pose a threat to her swimming: Uncle Phillip says he has to tell Mrs Maddox who Norah really is because of the difficult position Norah has put them in. Meanwhile, Mrs Maddox begins coaching to correct Norah’s swimming faults and she begins to improve.

But then Uncle Phillip tells Mrs Maddox what he had been planning to tell her, and making the excuse it was the reason they had put up the story Norah was their servant. Whatever it is, it has Mrs Maddox deeply shocked and telling Norah it is best they don’t meet again. Norah has no idea what it is about. When she confronts Lorna, Lorna says her father was a crook who served jail time. Norah thinks Uncle has been telling Mrs Maddox a pack of lies. Lorna picks a fight with Norah, which Uncle and Aunt blame Norah for. He says he’s not keeping Norah in the house any longer and sends her to his clothing factory in Claydon, where he instructs his manager to give her all the worst jobs.

Norah goes to see Mrs Maddox, who says the story is true. Norah’s father was once the secretary of the club, but was sent to jail for stealing a sum of £480 from the club twenty years ago. Realising Norah is not like her father (as Uncle said), Mrs Maddox resumes Norah’s training. She is going to put Norah in the Dolphins team and get the English selectors to take a look at her. This is something Norah’s father always wanted as his imprisonment robbed him of that chance, but he can now fulfil it through Norah.

Norah goes to see her father. Dad’s condition has worsened, and the only thing keeping him going is the hope Norah will be selected for England. His thought bubbles reveal he is innocent of the charge that sent him to prison. So who is guilty?

After visiting her father Norah can’t go back to her uncle’s, so she sleeps in her dad’s house. But then new tenants move in. Norah has no choice but to go back to her uncle’s – only to be thrown right out of the house. They figure a night of roughing it in bad weather will make Norah unfit for the selections. Norah sneaks into her uncle’s factory to spend the night there.

While looking for food Norah comes across an old document, which reveals Uncle Phillip set up his business with a down payment of £480. This is the exact amount Norah’s father was accused of stealing, and the date of the down payment corresponds with the time the money was stolen. Norah recalls that Uncle Phillip used to bear a physical resemblance to Dad. Then she puts two and two together.

Uncle Phillip now catches her in the act and she confronts him over what she has deduced: he stole the money and left Dad to carry the can over it when (presumably) they mistook Uncle Phillip for Dad because of the physical resemblance. When she tries to run for it he knocks her out and locks her in the cellar (at least with some food and water). Norah escapes through a drain, but has to swim for her life against a torrent of dye waste being released from the factory. By the time she arrives at the baths she is bright purple!

Norah tells Mrs Maddox what happened and what she has discovered about Uncle Phillip, flourishing the document she still has (and has somehow survived the dye bath). She also begs to be allowed to compete for her father’s sake. Mrs Maddox says they will sort out the theft business later, and tells Norah she can compete. Everyone knows this is going to be tough because they know Norah is exhausted from that dye bath swim and Lorna won’t give an inch. And the Dolphins club girls are still unfriendly to Norah. As the race unfolds, however, cheers are heard for Norah as people see how well she is swimming despite everything. Norah’s determination, lust for revenge, and amended swimming faults are outweighing her tiredness. She wins against Lorna and is selected for England.

Afterwards, Mrs Maddox tells Norah her uncle just slunk off and the guilty look on his face told her all she needed to know. Mrs Maddox then tells Lorna to pack up and leave the Dolphins Club: “there’s not very much to be said for you either!” Lorna is roundly booed as she goes, for word has been around. Soon after, Lorna and her parents move away in shame.

Mr Day recovers and is eager to start a new life now that his name has been cleared. This includes marrying Mrs Maddox, and Norah welcomes her as a stepmother. Six weeks later, Norah wins her first race for England.

Thoughts

These will be discussed in context of the parallels with “Toni on Trial” and “Tricia’s Tragedy”. There certainly is a parallel with Toni in that a wrongful charge of stealing from a sports club was levelled at the protagonist’s parent years before and is threatening her own sports career. However, the wrongful charge is a much more powerful plot driver in Toni than in Norah. In Toni it’s established by part three and casts a cloud over the protagonist that just won’t go away because the townsfolk just won’t forget and the real culprit keeps fuelling it. So Toni is anxious to get to the bottom of it all for her own sake as well as clearing her mother’s name. In Norah the wrongful charge is not even revealed until nearly two thirds of the way through the story, and it’s only done so because Uncle Phillip believes it’s the only way to neutralise the threat Norah poses to Lorna. Even after it’s established, clearing the parent is not a priority. It only happens by sheer luck in Norah finding the document, drawing the right conclusions, and Mrs Maddox believing her. The wrongful charge and exoneration serve more as part of the plot resolution and punishing the unpleasant relatives than driving the plot as they do in Toni. The story format is more like a Cinderella story than an “exoneration” story, as was the case with Toni.

The parallels with Tricia are much stronger. First, both stories feature swimming. Second, a rogue uncle is responsible for a wrongful accusation against the protagonist’s father, which has driven him and his family deep into poverty while the rogue uncle’s family have grown richer and cruel to them because of it. Third, in both Norah and Tricia the protagonists can’t afford to train at the baths so they have to resort to a quarry pool (Tricia) or a canal or lake (Norah). Fourth, divisions between rich and poor have created further rifts between the poor protagonist and her unpleasant rich relations, who just rubbish her and her family. But the nasty relatives are not content with this and try to ruin the protagonist even more to stop her triumphing over their daughter at an important swimming match. In the case of Tricia it’s to stop her inheriting money from her grandfather. In Norah, it’s because they’re so snobby they don’t even want people to know she is family. Fifth, in both Norah and Tricia the unpleasant relatives take advantage to bully the protagonist, turn her into a slave, and pull all sorts of nasty tricks to stop her beating the cousin in the swimming match. Finally, in Norah and Tricia it all culminates in the swimming match where everything is at stake and it’s a battle for revenge. And once the truth is established, both the unpleasant cousins in Norah and Tricia are roundly booed off and soon move away in shame with their parents.

Jinty 8 February 1975

jinty-cover-8-february-1975

Stories in this issue:

 

This week Katie’s torn between getting her own back on a horror who keeps plaguing her with practical jokes and sticking to her New Year’s resolution of being nice to people. Katie’s jinxing turns out to be the perfect compromise.

Speaking of practical jokes, they are the order of the day in this week’s episode of “Merry at Misery House”. Merry has turned to pranking Miss Ball. Then another practical joke is pulled on Miss Ball – but it isn’t Merry! What’s going on here?

It’s the final episode of “Jackie’s Two Lives”. History threatens to repeat itself for the obsessive mother who hasn’t learned her lesson from the last time she drove her daughter too hard to win the Princedale Trophy. Next week, Jackie will be replaced by another Ana Rodriguez story, “Tricia’s Tragedy”. Jinty sure liked to keep her artists in business. As with Jackie, “Tricia’s Tragedy” sounds like it has a rich vs poor basis, and there’s a trophy at stake again.

Sally seems to have succumbed to the old adage, “if you can’t beat ‘em, join ‘em”. Actually, it’s another scheme to bring the “Prisoners of Paradise Island” to their senses. And it works! But will it last, or will the devious Miss Lush come up with another ploy to ruin them as hockey players?

Bird-Girl Brenda is given an ostrich egg and thinks it is a most appropriate gift for her. But perhaps it isn’t so appropriate when she starts having odd dreams about the egg.

The latest trick forced upon “Slave of the Mirror” destroys the reputation of an innocent man. But – surprise, surprise – the face in the mirror breaks down in tears when she hears what she’s done to the man! Maybe the spirit has a better side to her nature after all?

Kat definitely does not have a better side to her nature though. She’s playing nasty tricks on both Mouse and the juniors that Mouse has taken under her wing. Then she’s trying to ruin their costumes, while still trying to find a way to get Mouse expelled. All the while she still expects Mouse to do all her chores and cover for her in the role of the Tiger in the ballet show. What a nerve!

Dot is inspired to play Indians this week, which brings heap big trouble on her. Heap big angry croquet players play her at her own game and stake her out on lawn.

Ma Siddons has been so much more nasty than usual that Dora has walked out with the dogs. They’ve now taken refuge on a farm, where hijinks are ensuing between the dogs and the donkey. Things get even more hilarious when the Siddonses catch up and try to take the dogs back.

A Canadian offers to adopt the children in “Always Together”, but Beth won’t budge because she believes they should wait for their mother.

 

Jinty 26 April 1975

Cover 26 April 1975

Stories in this issue

  • The Jinx from St Jonah’s (artist Mario Capaldi)
  • Tricia’s Tragedy (artist Ana Rodriguez)
  • Jinty Makes It: Table mats – Feature
  • Merry at Misery House (unknown artist – Merry; writer Terence Magee)
  • Dora Dogsbody (artist José Casanovas)
  • Do-It-Yourself Dot (artist Alf Saporito)
  • Wednesday’s Child is Full of Woe… – complete story (unknown artist – Merry)
  • Cinderella Smith (artist Trini Tinturé)
  • Bet Gets the Bird! (artist Phil Gascoine)
  • Face the Music, Flo! (artist Jim Baikie)
  • Daddy’s Darling (artist Philip Townsend, writer Alison Christie)
  • Jinty’s Favourite Spooky Stories – The Fair Rosaleen (text story)

Katie helps the local greengrocer out with deliveries, and finds out what goes on behind the doors of a health farm. Eating a huge serving of lovely greasy fish and chips in front of a bunch of people trying to lose weight isn’t a great idea though! Shame about the stereotypical fat people all running after her trying to nab the food off her – amusing though it will have been at the time.

Tricia is being followed in town by her cousin Diana. But how can Diana find her way round so effectively, if she’s blind? Her horrible cousin and family are tricking her – nowadays we call that emotional abuse and gaslighting. Trisha has made her mind up to stand her ground, even though she hasn’t yet realised what lies they’re telling her.

On a craft page, Jinty shows you how to make a set of table mats out of stout card and string. They look like the sort of thing that might well come out looking rather effective.

Merry has recovered her memory, but evil butler Haig is trying to blackmail her as he also knows her secret. Merry has no choice but to run away so that the blackmail doesn’t work. The same unknown artist who drew Merry is also drawing “Wednesday’s Child” in this issue – a complete story based around the rhyme. Moira is always grumbling, but she doesn’t realise that her mother really has something to worry about – the father of the family is on a fishing boat that is well overdue on its return. Moira snaps out of her grumbling and is able to be some help for once.

The cousins are after Cindy Smith, who is trying to post a plea for help to her father. They stop her from sending it, beat her, tie her up, and deprive her of food and water until she signs away her money to them.

In “Face the Music, Flo!”, the twins are at loggerheads. Greg is trying out his act on stage and doing well, but Flo thinks it is bound to all end unhappily and wants to prevent him from breaking his heart seeking the unobtainable. Greg’s manager is happy to keep them apart, too. Greg is still trying to please his sister, but somehow I don’t think that’s going to last for long.

“Daddy’s Darling” Lee is still trying to defend her friends Joe and Maggie from her uncaring father. Maggie has won a school prize for writing a great essay; will this change the heartless father’s mind about the two evacuees?

There is a spooky prose story this issue: I suspect it is an Irish folk or traditional tale, retold. The Fair Rosaleen has a hard-hearted father; as she lay dying she asked him to make sure he looked after the poor people nearby, so that she can rest peacefully. Of course he breaks his vow and the ghost returns to remind him of his promise – which he then keeps faithfully thereafter.

Jinty 5 April 1975

Cover 5 April 1975

Stories in this issue:

  • The Jinx from St Jonah’s (artist Mario Capaldi)
  • Tricia’s Tragedy (artist Ana Rodriguez)
  • Merry at Misery House (unknown artist – Merry, writer Terence Magee)
  • The Kat and Mouse Game (artist Jim Baikie) – last episode
  • Dora Dogsbody (artist José Casanovas)
  • Cinderella Smith (artist Trini Tinturé)
  • Bet Gets the Bird! (artist Phil Gascoine)
  • Daddy’s Darling (artist Philip Townsend, writer Alison Christie)
  • Slave of the Mirror (artist Carlos Freixas)

Katie Jinks gets her hands on a gorilla costume, in a way that is very similar to some hi-jinks that Fran gets up to some years later – as Mistyfan has wondered recently, I also now wonder if the two stories shared a writer. In this case, pal Liz is the one togged up in a gorilla suit, and the gorilla is rather friendlier than one might have guessed.

Tricia is being made to look after her cousin Diana, through the emotional blackmail of being told it’s her fault for blinding her cousin. She is made to use all her time to teach Diana to swim well enough to be able to win the Lloyd Trophy, and is forbidden to use her cousin’s pool to do her own training in. What will happen when she goes home to see her parents – will she withdraw from the Lloyd trophy, as her uncle expects?

Merry has lost her memory – she escaped from the reformatory in order to bring help to the others, but had an accident in the street. A kindly – and posh – family have taken her in, but cruel butler Haig hates her because she battles injustice  such as when he tries to beat a local kid for taking some vegetables. Haig catches Merry unawares and locks her in the dark shed. Maybe the similarity between this predicament and her reformatory experiences will bring her memory back? After all, she’s still not managed to bring help to the other girls in Misery House…

It’s the last episode of “The Kat and Mouse Game”. Mistyfan has got a story post coming up soon, so I won’t describe the ending in detail. Suffice it to say that Kat gets her comeuppance – after trying to land Mouse in it one last time, of course – and Mouse gets the career of her dreams. Satisfyingly, Kat even confesses at the end, once she realises it’s all gone wrong for her (and it’s all her own fault too).

There’s a story post coming up on “Cinderella Smith” too, I understand. Cindy is sent to school without the correct uniform and has to use old clothes left behind by others – she finds it embarrassing and humiliating but comes across as snobbish rather than apologetic for her change of circumstance. But wearing old clothes will be the least of it, very soon: Cindy’s cousins are some of the meanest abusers in these stories.

The kids at school are making Lee’s life a misery because her father is himself being so ungenerous to evacuees Joe and Maggie. Bowing to public pressure, he sends the evacuee kids to school in a posh car – but a different one from the one his daughter travels in.

It is nearing the ending of “Slave of the Mirror”. The Spanish au pair girl Inez tells Mia the story of the girl in the mirror, who is an ancestor of Inez’. Isabella lived as a servant in the house, some two hundred years previously; she was treated so cruelly by her master that she died unhappily and vowed her revenge. Now, through Mia, she is trying one last act of revenge – burning down the house!

Jinty 19 April 1975

Jinty cover 19 April 1975

 

  • The Jinx from St Jonah’s (artist Mario Capaldi)
  • Tricia’s Tragedy (artist Ana Rodriguez)
  • Jinty Makes It: A Sunflower Banner – Feature
  • Merry at Misery House (unknown artist – Merry; writer Terry Magee)
  • Tee-Shirts Are Tops! – Competition
  • Dora Dogsbody (artist José Casanovas)
  • Do-It-Yourself Dot (artist Alf Saporito)
  • Tuesday’s Child is Full of Grace… – complete story (artist Jim Baikie)
  • Cinderella Smith (artist Trini Tinturé)
  • Bet Gets the Bird! (artist Phil Gascoine)
  • Daddy’s Darling (artist Philip Townsend, writer Alison Christie)
  • Face the Music, Flo! – first episode (artist Jim Baikie)

 

Katie is helping her Aunt Lucy out at her small hotel while on holiday. Oh, dear – we all know what help from Katie the Jinx can turn into!

Tricia finds her blinded cousin Diana is following her around and thinks she’s being haunted by guilt. More likely she’s being haunted by something more fishy. Diana seems to have learned to walk around town blind in a remarkably short length of time. And how does she always know where to find Tricia if she’s blind?

Merry gets her memory back in the most shocking way possible – she sees her wanted poster, which tells everyone she’s on the run from a reformatory! Now she remembers, how long can she hide it from the family who are looking after her, especially as they now want to adopt her?

There is more parrot trouble than usual with this issue, because Ma Siddons is lumbered with a parrot at the hotel this week. He’s given her husband a good nip on the nose and loves a good nip himself – of rum! And in “Bet Gets the Bird!”, Rosy Posy needs a pick-me-up, but Bet can’t figure out what. And it isn’t rum.

“Face the Music, Flo!” starts this week. It has a twist on the theme where the protagonist wants to pursue a dream, but the parent does not want them to because either they got burned by something similar or they want to decide the career. Instead of a parent it’s an interfering sister, Flo, who tries to stop her brother Greg pursuing a show-business career because their late father tried the same but it didn’t work out. But Greg’s going ahead all the same. Is Flo right to stop him or will she find out she should have stayed out of it – even if she did promise her late mother she would make sure Greg got a steady job instead of going into show business?

Daddy shows his darling that he still has eyes only for her. Maggie collapses but Daddy won’t get a doctor. Lee has to do it.

Meanwhile, Cindy’s scored a small triumph over her nasty cousins. But it looks like things are going to get even worse for her next week now they’ve caught her writing a letter to her father. And it begins with Cindy suddenly being absent from school the next day and nobody knows why.

 

 

Jinty 17 May 1975

Jinty cover 17 May 1975

  •  The Jinx from St Jonah’s (artist Mario Capaldi)
  • Tricia’s Tragedy (artist Ana Rodriguez)
  • Merry at Misery House (unknown artist – Merry; writer Terry Magee)
  • A Ring-a-Ding Competition! – Competition
  • Dora Dogsbody (artist José Casanovas)
  • Phantom Playmates – Jinty’s Favourite Spooky Stories (text)
  • Saturday’s Child Works Hard for a Living… – complete story (artist Trini Tinturé)
  • Cinderella Smith (artist Trini Tinturé)
  • Bet Gets the Bird! (artist Phil Gascoine)
  • Daddy’s Darling (artist Philip Townsend, writer Alison Christie)
  • Do-It-Yourself Dot (artist Alf Saporito)
  • Face the Music, Flo! (artist Jim Baikie)
  • Jinty Makes It: Pretty Swimming Cap – Feature

Katie the Jinx faces the golf match where £25 is at stake and she knows she really does not have the talent to win. Can her klutziness – or sheer dumb luck – help her out?

In “Tricia’s Tragedy” Dad’s snooping goes horribly wrong and he ends up in a police cell. To free him, Tricia agrees to throw the Lloyd Trophy swimming match in Diana’s favour. Looks like Diana’s won and her supposedly blind eyes are all full of triumph – but Dad may not be beaten yet.

In “Merry at Misery House”, Merry makes another break for freedom. Unfortunately Miss Ball puts on a disguise to intercept her. Merry finds out the hard way that Miss Ball can really pass herself off as a man when she wants to.

Cinderella Smith’s getting some edge on her cousins this week, despite all their abuse, and there’s more. She comes across a wedding photograph where the bride’s face is cut out. Hmm, could there be more to her cousins’ attitude than meets the eye?

Daddy is shocked to see his darling turning up at the sale she was going to open looking a fright! He did not count on her helping out in an emergency on the way.

In “Face the Music, Flo!”, Greg has walked out on Flo. From the looks of things, he is playing right into the hands of his nasty-looking manager, who clearly wants to drive a wedge between the twins. Flo isn’t giving up that easily of course. However, we do not expect the road to be smooth, especially with Greg in the clutches of that manager.

Prissy shows how cruel she can really be when she’s out for revenge – she’s trying to poison Rosy Posy the parrot! Something really needs to be done about Prissy, and Bet is out to do it.

Ma Siddons is undercutting the dogs’ food because she spent all her money on a tiara. But after the hijinks of the week she ends up being tricked into feeding them properly.