Tag Archives: Wee Sue

Tammy 10 March 1979

Tammy cover 10 March 1979

Cover artist: John Richardson

  • Nurse Grudge (artist Tony Coleman)
  • A Girl Called Steve (artist Diane Gabbot)
  • My Terrible Twin (artist Juliana Buch)
  • The Moon Stallion (artist Mario Capaldi) – final episode
  • Bessie Bunter
  • Molly Mills and the Portrait Painter (artist Douglas Perry, writer Maureen Spurgeon) – first episode
  • Unlucky for Some (artist John Armstrong) – Strange Story
  • Wee Sue (artist Robert MacGillivray)
  • Thursday’s Child (artist Juan Solé, writer Pat Mills)
  • Just Jogging Along! (feature)

It’s Friday the 13th (did you know there is a Friday 13th in a month that begins on a Sunday?). So this issue of Tammy is being profiled to commemorate. It’s not just because the theme on the cover – Dracula vs Tammy – should make it a Halloween issue but isn’t. It’s also because the number 13 is the theme of this issue’s Strange Story, which appears below. Could the mysterious 13th floor in the story have been one inspiration for “The 13th Floor” in Scream!, perhaps? It is a bit like how Scream’s 13th floor works in the way it teaches arrogant Annette a lesson. All that’s missing is Max the computer. Oh well, judge for yourself. It sure looks like Bella Barlow’s Aunt Gert was the inspiration for the workhouse matron anyway.

Click thru

 

There is no Bella yet. Instead, the first story is part two of “Nurse Grudge”. It was extremely rare for Tammy to have a nursing story (the same went for Jinty). It’s also a revenge story, where Greta Jones starts as a student nurse at her dad’s old hospital to get revenge on the staff who got him dismissed 20 years ago. His old notebook is full of the details of their turning against him – but no details at all on why they turned against him or just what he was dismissed for. Now why did he leave that part out of his journal? Greta has noticed the omission but not looked into it at all before starting her vendetta against the hospital – and perhaps she should have done…?

Tammy’s adaptation of “The Moon Stallion” TV series ends this week. Next week is “The Outcast of Oakbridge”.

Bessie sneaks into town after Miss Stackpole, who is going to a dance. Hijinks ensue with Miss Stackpole and Bessie ending up in the same farmer’s truck and then having to use an old raincoat and sacking against pouring rain while trudging into town. Miss Stackpole finds she has missed the dance because she got her dates muddled, but the raincoat wins her first prize at a tramps’ ball instead.

It’s a real turnabout for Molly Mills in her new story, but it’s one she could well do without. Lady Stanton turns against Molly when a painter prefers to paint Molly than her. Then Molly is very surprised to find her arch-enemy Pickering suddenly coming over to her side and being supportive against Lady Stanton’s jealousy. Now he couldn’t possibly be doing that unless there’s something in it for him – but what? Is he hoping for a group portrait with Molly or something?

From the moment Stephanie “Steve” Sutton has arrived at her father’s archaeological dig, it has been looking more and more like enemies are trying to scare her away. They certainly are doing a very good job of scaring her in this episode. Now she’s being dragged into a terrifying magician’s act.

“My Terrible Twin” is beginning to turn around – but just as she does, her remand home past begins to catch up. First, an unreformed girl from the remand home wants Lindy to help her shoplift, and then swears revenge when Lindy refuses. Then Lindy’s enemy Helen discovers her past and is going to tell the boss!

Sometimes Wee Sue had two-part or even three-part stories, and this is the final episode of one of them. So far her class’s skiing holiday abroad has been disappointing because the whole setup looks a cheat. It turns out to be a troubled business with the owner reduced to running it as a one-man-band (chef, ski instructor, DJ etc) while not having the slightest idea how to do all the roles. Does one of Sue’s famous brainstorms save the day? No, it’s more a lucky fluke (and extremely improbable one) that turns everything around.

Thursday’s legs are mysteriously paralysed after her fall. However, Thursday has no doubt that the evil Union Jack and Julie’s strange grudge against her, which caused the fall, are behind this. Then comes a turning point: Julie is now willing to explain just what her problem is with Thursday.

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Tammy 25 March 1978

Tammy 25 March 1978

Cover Artist: John Richardson

  • Melanie’s Mob (artist Edmond Ripoll)
  • Maisie – Fashion Crazy (artist Giorgio Giorgetti)
  • Mask for Melissa – (artist Angeles Felices)
  • Tuck-in with Tammy – Easter Bonnet cake
  • An Easter Bonnet (artist Audrey Fawley) – Strange Story
  • Greetings for Easter – Feature
  • Bessie Bunter
  • Molly Mills on the Run (artist Douglas Perry, writer Maureen Spurgeon)
  • The Black Hunter (artist Ken Houghton) – Strange Story
  • Edie the Ed’s Niece (artist Joe Collins)
  • Wee Sue (artist Mike White)
  • Gail at Windyridge (artist Mario Capaldi)
  • Easter Gifts – Feature

This is Tammy’s Easter issue from 1978. Easter bonnets are a huge feature inside. Tammy presents a recipe for an Easter bonnet cake. Sue designs a winning Easter bonnet for Miss Bigger after accidentally squashing her original. The Storyteller even has a Strange Story about an Easter bonnet that serves as a time travel device. It sets in motion a series of events that make sure a lady’s inheritance does not go to grasping relatives. Edie starts out all eager to eat the Easter eggs she has received. Bessie Bunter and the Editor are among the donors. However, Edie keeps seeing eggs so much in one form or other that she goes off them in the end. “Greetings for Easter” discusses Easter customs. The back cover is a feature on how to make Easter gifts, including Easter cards and Easter egg gift baskets.

Surprisingly, there is no Easter theme in the Bessie Bunter story. Instead, it’s hijinks as Cliff House prepares for a concert. Rather to her chagrin, Bessie is put in cat costume for Dick Whittington (played by Miss Stackpole). Talk about a fat cat!

You may have noticed there is no Bella Barlow in the lineup. Indeed, from 1976 to 1981 Bella followed a pattern where she did not start until April at the earliest. And when she did start, she had plot threads that kept going until late in the year.

“Melanie’s Mob” can be described as the Tammy version of “Concrete Surfer”. Melanie Newton has started a skateboard club and is campaigning to get a skateboarding rink added to the local sports centre. This week things look hopeful when the council says they’ll consider it. But then other clubs pose a problem that could cancel the site the skateboarding club want. Melanie says there’s only one chance, but it means using their skateboarding skills like never before. Now what can she have in mind?

“Maisie – Fashion Crazy” is a sequel to the earlier “Maisie of Mo Town”. Maisie and Mary Malone are in Paris with Gran while Mum’s away. Maisie has a mystery she wants to unravel: why has the man Mum left in charge of business suddenly flown in to Paris as well?

Melissa has developed a real chip on her shoulder about the scars on her face. She can’t bear the sight of her own face, which she hides with a mask while trying to re-establish her performing career. This week she goes into utter hysterics while waitressing when she sees her reflection, smashes the mirror in her room, and also loses a friend with her carry-on.

Molly Mills has returned to a new employer at Stanton Hall. Her existing knowledge of the hall from her Stanton employment is proving a tremendous help to everyone. But her secret about being a fugitive (after being framed for theft) is in danger when a photo of her earlier days at Stanton Hall is uncovered.

At Windyridge, Gail Peters and her father are in similar trouble. They are staying there under false names because Dad has been wrongly branded a horse doper. Unfortunately the residents of Windyridge suspect Dad’s true identity and have called in his previous employer, Owen Winters. Meanwhile, Winters is looking increasingly suspicious himself. Gail has linked him to sabotage at Windyridge, and then she overhears a conversation that suggests Winters had a hand in that horse doping. Well, well, well!

There is also a bonus Strange Story. Now and then Tammy treated her readers to one. “The Black Hunter” is said to revive if his horn is blown three times. June Warren has already blown it twice. Will she blow it the fateful third time or will she see the danger in the nick of time?

Tammy 9 April 1977

Tammy cover 9 April 1977

Cover artist: John Richardson

  • Witch Hazel (artist Giorgio Giorgetti)
  • Towne in the Country (artist Mario Capaldi)
  • Copper’s Kid (artist Eduardo Feito)
  • The Elephant and Castle Case (artist John Armstrong) – Strange Story
  • Bessie Bunter
  • Molly Mills and the War Games (artist Tony Thewenetti, writer Maureen Spurgeon) – final episode
  • Wee Sue (artist John Richardson)
  • Edie the Ed’s Niece (artist Joe Collins)
  • Katie on Thin Ice (artist John Armstrong) – final episode
  • The Dream House (artist Mike White)

We continue honouring the upcoming Easter season with Tammy’s Easter issue from 1977. Strangely, we have just one Cover Girl this week. Her daydream is about to send sticky goo from her Easter egg all over her head, and big sis is not around (for once) to handle the situation – or laugh at it, maybe?

Poor Bessie Bunter does not fare much better. To her mind, Easter is “Feaster”, but what she gets is far from feasting. She does not have enough money for a decent Easter egg. She tries to run away to Easter Island in the mistaken belief she would find one there. But all she gets in the end is a boiled egg because she missed her tea.

Edie goes egg-rolling, and her egg ends up going all over Farmer Grump, who really is a grump. Moreover, she forgot to hard-boil it, so he’s even grumpier. But not Edie, who still has her chocolate Easter egg.

Sue’s school is chosen to appear on a community singing TV programme at Easter. But Miss Bigger is threatening to ruin it and not only with her terrible singing voice – she’s also over-dressed herself in an Easter outfit.

There is no Bella Barlow. Instead, John Armstrong has been drawing a period story, “Katie on Thin Ice”, probably because ice-skating is such a feature in the story. Katie Williams has fallen foul of a Fagin-style racket run by Mrs Winter, who also forces her to use her ice-skating skills to commit crimes. And now Mrs Winter is out for murder by sending the whole ice fair under the ice with salt. Katie has to stop Mrs Winter and save her imperilled friends while keeping ahead of the authorities who are out to arrest her. Katie is replaced by a ballet story next week, “The Dance Dream”, so still no Bella.

John Armstrong is also drawing this week’s Strange Story, which has some reference to Easter, but even more to Sherlock Holmes. Joan Watson is sent to take her mother’s necklace to Baker Street for re-stringing, but she loses it. Then she gets knocked down by a car, and goes into a garbled dream (or something) where Sherlock Holmes himself offers his services to help locate the necklace. When Joan wakes up, the dream has given her enough clues to track down the necklace.

“Witch Hazel” is a Catweazle-type story where a 16th century witch named Hazel comes to the 20th century to learn witchcraft, and does not understand that she’s in the wrong century for witchcraft. Hazel’s first day in a 20th school is taking the science teacher by surprise: she demonstrates alchemy! Then Hazel reacts with horror at the sight of the school gym. Does she think it’s a torture chamber or something?

“Towne in the Country”, which had started out as Tammy’s answer to “All Creatures Great and Small”, took a jarring change of tack when Val Towne sets out to find her father, who had failed to return from an African expedition. This would have been better as two different serials. At any rate, Val and her companions have now been captured by a hostile African tribe. And from the looks of the idol they have been brought to, they are to be sacrificed to the tribe’s god.

Gill Warden has been having a hard time being accepted in the village her policeman father has been transferred to. They call her “copper’s kid”, but now there’s another reason for their hostility: they are hiding a secret from her, and they will only show it to her if she agrees to be blindfolded while they escort her.

Stanton Hall has been taken over by soldiers – but then Molly finds out they are criminals planning to spring their buddies out of jail. It’s Molly’s quick wits and resourcefulness to find a way to outwit them.

“The Dream House” was reprinted in Princess II. It is far from dreamy, though – it’s an evil doll house that is progressively taking away all the older members of the household, and the two youngest children are helping it for some reason.

Tammy 24 April 1976

Tammy 24 April 1976

Cover artist: John Richardson

  • Sarah in the Shadows (artist Mario Capaldi) – final episode
  • Sit It out, Sheri (artist John Armstrong) – final episode
  • Luck of the Draw (artist Juliana Buch) – Strange Story
  • Claire’s Airs and Graces (artist Hugh Thornton-Jones)
  • Bessie Bunter
  • Molly Mills and the Secret Offer (artist Tony Thewenetti, writer Maureen Spurgeon)
  • Wee Sue (artist John Richardson)
  • The Fairground of Fear (artist Diane Gabbot) – final episode
  • A Lead through Twilight (artist Douglas Perry) – final episode

 

This is Tammy’s Easter issue from 1976. You might feel sorry for the younger Cover Girl, who gets a much smaller egg than her big sister. But on many covers she is the one who is the bane of her older sister. Inside, Tammy commemorates Easter with an Easter competition, “Easter Fun Parade” (Easter-themed jokes on the back cover), and Bessie Bunter. Cliff House revives old Easter customs: pie scrambling and orange rolling. Bessie wants to get in on the action, but of course it’s for eating rather than participating. Bessie’s classmates roll her lemons to teach her a lesson, and she cops a mouthful of lemon before she realises what they are. However, Miss Stackpole takes pity on Bessie’s miserable lemon face and rolls her a huge Easter egg to give her a happy ending.

In the Strange Story, Joanne Lyons is taught a lesson about greed, but not for Easter eggs. After Joanne takes a horseshoe (she mistakenly thought it was stealing), she finds herself oddly haunted by horseshoes, especially when she tries to cheat or gets greedy.

In Tammy’s 5th birthday issue she started a lineup of five new stories over three issues as “birthday gifts”. In this issue four of them end, which opens up a lineup of four new stories in the next issue. Not surprisingly, Bella Barlow is in the lineup.

Throughout “Sarah in the Shadows”, Sarah Cole has been using her talent for paper cut-outs to get out of all sorts of scrapes. In the final episode this week it includes saving the life of music hall star Tilly Travers and bringing down Tilly’s evil partner, Mr Ford, who is in cahoots with the corrupt debtors’ prison governor. For reasons that are not satisfactorily explained, they are both determined to destroy Sarah and keep her unfortunate uncle in debtors’ prison. But now they are exposed, Tilly says she will make sure they never work again, and gives Sarah and her uncle jobs.

John Armstrong’s current story, “Sit it out Sheri”, makes extremely liberal use of the myth of Marie Antoinette as a haughty, hard-hearted woman who single-handedly started the French Revolution with the way she treated the lower orders. A soothsayer bewitched Antoinette’s chair in the vain hope it would help her see the light before it was too late. Centuries later the same chair helps Sheri Soames overcome her shyness, but at the cost of giving her all the arrogance of Marie Antoinette, and this has gotten Sheri into terrible trouble. For a moment, Sheri even looks decapitated when she relives the moment where Antoinette is guillotined! Fortunately, enough people become convinced about the chair for Sheri to get out of trouble. Sheri retains her confidence, and the soothsayer is pleased he had more success with her than Antoinette.

Alan Barker uses all the powers of “The Fairground of Fear” to get Sir Whitland to confess that he framed Barker on the charge that sent him to prison, just because he regarded Barker as too low to marry into his family. But Barker finds out the hard way that nothing he does will get the hard-hearted Whitland to do that. Barker settles for a surprise reunion with his daughter, whose death Whitland had faked to prevent him from claiming her.

In the final episode of “A Lead through Twilight”, farmers are after Twilight because they think he’s a sheep worrier. Fortunately they all see Twilight tackle the real sheep worrier, and Twilight is cleared. The scientific research used on Twilight is used to give Carol her sight back.

“Claire’s Airs and Graces” is the only ‘birthday gift’ story that is still running. Claire Weston-Jones has her classmates thinking she has a more privileged home life than she actually does because she fears the derision of her more snobby classmates if they discover the truth. As expected, living the lie causes all sorts of complications, and this week Claire’s parents could have been really hurt for it. They make the effort to provide a spread for Claire’s classmates, but nobody turns up because Claire doesn’t want them to see her house is not the palace they have been led to believe.

This week’s Wee Sue story also has a moral about living a lie. Sue’s classmate Ann spun a big yarn to her French penfriend Louis about her interests, and even sent a picture of Sue, saying it was herself, because Louis is a small person. Now Louis is visiting, so Ann wants Sue to help keep up the pretence. But the pretence unravels when it turns out Louis is much taller than Ann thought (got metrics and imperials mixed up).

Molly Mills has received an offer for a change of employment. Spiteful Kitty and Betty try to sabotage it by planting Lady Stanton’s hat on a snowman and looking like Molly did it, so it looks like it’s the end of that chance. But everyone is taken by surprise when Lord Stanton’s response is promote Molly to head chambermaid!

Sandie 8 April 1972

Stories in this issue:

  • No-one Cheers for Norah (artist John Armstrong)
  • Slaves of the Sorcerer (artist Desmond Walduck) – first episode
  • Wee Sue (artist Vicente Torregrosa Manrique)
  • Brenda’s Brownies (artist and writer Mike Brown)
  • Odd Mann Out (artist A E Allen)
  • Silver Is a Star (artist Eduardo Feito)
  • Not So Lady-like Lucy
  • Our Big BIG Secret (artist Jim Baikie)
  • The School of No Escape (artist unknown artist ‘Merry’)
  • Wendy the Witch (artist and writer Mike Brown)
  • Sandra Must Dance (artist Douglas Perry)
  • Bonnie’s Butler (artist Julio Bosch)
  • Anna’s Forbidden Friend (artist Miguel Quesada)
  • A Sandie Pop Portrait – Sacha Distel (artist Bob Gifford)

The contents have moved around quite a lot in this issue compared to the previous eight – for instance “Silver Is A Star” has been moved much nearer the middle of the paper than it was, and “Anna’s Forbidden Friend” has moved to the last spot (which I think was probably one of the best spots, as providing the denouement of the issue).

Norah hurries to her father’s hospital bed, as he is in a bad way. She hears his side of the story of his disgrace (he says he didn’t do it) and her visit gives him a new will to live.

Catawiki credits both the new story, “Slaves of the Sorcerer”, and last week’s “Little Lady Nobody”, as both being by artist Desmond Walduck. I disagree and have credited “Little Lady Nobody” as being by Roy Newby. Soon I will post about the story, which was the first Sandie story to finish, and you can decide for yourselves. In this first episode, Beth Williams is accused and then acquitted of stealing, but she soon finds herself entangled in a trap that is much harder to escape from. The story is set in 1930, but the historical elements are not very strongly outlined, at least not yet.

Wee Sue rescues a dog from the roadside – she has recognized that its yellow collar means it belongs to a nearby scientific establishment. Researcher Miss Brog claims only to be kind to the animals she is experimenting on – but if so, why did the dog run away?

Susie Man’s elder sister carries out her threat to expel Susie’s classmate Sarah in revenge for Susie’s trouble-making, but the class rally round Sarah and (at Susie’s  further instigation, of course) hide her in the storeroom while they run round trying to find evidence to condemn the Head as a crook and a liar.

Trudy wins a steeplechase event that brings with it a first prize of one hundred pounds – so she is able to buy back Mr MacReady’s pawned saddle. We are told that next she will have to find money to save the stables…

Eva, one of Miss Voor’s mysterious sidekicks, is remorseful and tries to help Dale – but Miss Voor overpowers her mentally and Dale is soon being pushed over the side of a cliff rather than being helped to rescue her classmates.

Sandra has been accepted to the Southern Ballet Company for a trial period, but rival Robinia Drew has also been invited along. One way or another, the twins’ secret seems likely to be out fairly soon – especially as Joan has to sign the contract herself, with her own signature.

Anna is tied up by the roughs from her estate, with a placard reading “I am a traitor”. Julia unties her and then runs away, saying “I don’t want to have anything to do with you or Madeley Buildings any more!” – to the reader, a transparent ploy, but will it fool the onlookers?

Tammy 17 February 1979

Tammy cover 17 February 1979

Cover artist: Giorgio Giorgetti

Contents

  • Mouse (artist Maria Dembilio)
  • A Girl Called Steve (artist Diane Gabbot)
  • My Terrible Twin (artist Juliana Buch)
  • Shadow on the Stage (artist Tony Coleman)
  • The Moon Stallion (artist Mario Capaldi) – adapted from TV series
  • Bessie Bunter
  • Molly Mills and the Haunted Hall (artist Douglas Perry, writer Maureen Spurgeon)
  • The Holden Hunt – Strange Story (artist Bob Harvey)
  • Make a Valentine Card…and Cookies – feature
  • Wee Sue (artist Mike White)
  • Thursday’s Child (artist Juan Solé, writer Pat Mills)
  • Have a Hearty Party! – feature

 

In honour of Valentine’s Day we profile Tammy’s Valentine issue for 1979, which I have just acquired.

The cover leads off the Valentine theme. Unusually, it is drawn by Giorgio Giorgetti instead of the regular cover artist, John Richardson. Tammy is the great lover on the cover instead of boys for the Cover Girls.

Inside, there are two Valentine features: one gives instructions for making Valentine cards and cookies, and the other gives tips on throwing a Valentine’s Day party. Inside, Wee Sue honours the event – in spite of Miss Bigger, who lumbers the whole class with a monstrous homework paper on Valentine’s Day because she’s upset at not getting a Valentine. Sue comes up with a solution once she acquires a box of reject Valentine cards – send them to Miss Bigger. Eventually this teaches a tight-fisted manager a lesson into the bargain when Miss Bigger takes him for the lover who sent her the Valentines. When you think about it, he and Miss Bigger would make a perfect match.

Tammy could have used Bessie Bunter and the Storyteller to enhance the Valentine theme as well. There are plenty of Bessie Valentine episodes they could have recycled and the Storyteller could have given a Strange Story with some romance in it. Instead, the Cliff House heating is busted and the caretaker is ill. Bessie ‘helps’ Miss Stackpole to fix it while trying to take advantage to swipe food from the kitchen, but it rebounds in the end. The Strange Story has an anti-fox hunting message. Lee Parsons is wearing a fox fur while running through a wood during an emergency. All of a sudden it feels and sounds like there is a fox hunt after her, and it’s terrifying. It mysteriously stops when Lee drops the fur, and later she finds out the date is the anniversary of the old annual Holden fox hunt.

You may have noticed from the lineup above that there is no Bella Barlow. Yes, she’s on hiatus. In a few weeks we learn she has been sailing home to Britain after two years of adventures and misadventures in various countries abroad, including Canada (Montreal Olympics) and Australia. Of course trouble isn’t far away once she docks, which sets the stage for her 1979 stories…but we’re getting a bit far ahead.

Tammy did many adaptations from books and TV series. This time she’s running an adaptation of “The Moon Stallion”. It is in the picture story format but uses story text in each panel instead of dialogue balloons.

“Mouse” is really ahead of its time for portraying child abduction, international custody disputes and girls being sold into forced marriages years before “Not Without My Daughter” and “Sold”. Mary “Mouse” Malloway is kidnapped by her father and brought to Sicily, where her tyrannical grandmother intends to sell her into a forced marriage in exchange for a vineyard. But in this episode, after Mouse makes it clear to her father how unhappy she is about that, he seems to be discreetly teaching her a few things that could be useful for an escape. Could he be actually helping her to do so?

“My Terrible Twin” was reprinted by popular demand in 1984. Lindy is on parole from a remand home. She has stopped the shoplifting that got her convicted, but she is having lapses of thoughtlessness and irresponsibility, and her sister Moira suffers for it. By the end of this episode Moira has had enough and she’s in tears, but she is failing to see that what Lindy is doing now could be considerate this time.

Jan Gregg is being harassed by a shadowy figure at Olivia Oldborne Memorial Stage School. It’s even made several attempts on her life. Now the Shadow has come right on stage and cornered Jan, saying “Little fool, to think you could ever rival the great Olivia Oldborne!” Hmmm, now that sounds like a clue!

Stephanie “Steve” Sutton is also being harassed while accompanying her father’s archaeological dig at Clambourne Bay. The villagers round on Steve, saying the dig has brought a curse on the whole village because it disturbed a monster called “the Acum”. But it isn’t long before we see clues that the Acum is a hoax and enemies are responsible for whatever’s going on.

Despite the title for the latest Molly story, the hall is not haunted. The ghost is a cover story for Molly’s high-spirited kid brother Billy, whom she’s trying to hide in Stanton Hall while her family visits a sick relative. But Molly will be fired if she is found out, and Pickering, who suspects what she is doing, will be very happy to see that. And this time it looks like Pickering really is going to catch Billy.

“Thursday’s Child” was one of Pat Mills’ most popular Tammy stories and one of her very best. Life has been good to Thursday Brown until she decides to use a Union Jack flag for a bedspread, despite her mother’s warnings that there is something about that flag. Soon after, a girl named Julie appears in Thursday’s bed, who claims to be Thursday’s daughter from the future. But for some reason Julie has nothing but hate for her future mother and makes her life a misery. The reason for Julie’s hatred seems to be linked to being paraplegic – and at the end of this episode, Thursday suddenly finds she has lost the use of her legs for no apparent reason, and Julie is gloating over her.

Sandie 1 April 1972

Stories in this issue:

  • No-one Cheers for Norah (artist John Armstrong)
  • Odd Mann Out (artist A E Allen)
  • Brenda’s Brownies (artist and writer Mike Brown)
  • Anna’s Forbidden Friend (artist Miguel Quesada)
  • The School of No Escape (artist unknown artist ‘Merry’)
  • Our Big BIG Secret (artist Jim Baikie)
  • Not So Lady-like Lucy
  • Wee Sue (artist Vicente Torregrosa Manrique)
  • Little Lady Nobody (artist Desmond Walduck?) – last episode
  • Wendy the Witch (artist and writer Mike Brown)
  • Sandra Must Dance (artist Douglas Perry)
  • Bonnie’s Butler (artist Julio Bosch)
  • Silver Is a Star (artist Eduardo Feito)
  • A Sandie Pop Portrait – Steve McQueen (artist Bob Gifford)

It’s nice to see the some of the elements in colour on the front. Norah’s swimming suit looks great and the colour work really enhances the image taken from the story inside. Last week’s cover showed us Sandra the ballet dancer with brown hair, which looked rather nice. Imagine if this had been published by Marvel in colour inside and out – somehow it seems to make a difference to how you see a character if you imagine them with a different hair colour.

Norah’s cousin tells her that her father is a crook who stole money from the swimming club – and Mrs Maddox believes the story, because she knew him when he was the secretary of the club. She will carry on being Norah’s supporter and mentor though, as she can see that the girl is not also a crook.

Susie Mann thinks the head of the school is living luxuriously at the school’s expense – and the glimpses we catch of the head’s sinister sideways glances have the reader thinking that it must indeed be so.

Anna and her friend Julia have managed to get Mr Crossley to come and talk to the estate dwellers in person – but Ramage has manged to poison the well against the estate owner and he is not well received.

Dale is made to drink a mysterious beverage when she is spying on Miss Voor – but she is helped by Eva, who seems to be at least a bit on Dale’s side against Miss Voor.

In “Wee Sue”, she has to deal with machinations by Miss Chivers who wants her niece to be sports captain instead of Sue – and who is threatening to evict Sue’s mum from her home if Sue doesn’t go quietly.

It’s the last episode of “Little Lady Nobody”. Lady Elaine has been found guilty of being an impostor and is sentenced to be transported for life – but in the nick of time, Sir William Moresby is found alive and on his way home. All comes well at the last moment. An advert tells the reader that next week’s new story will be called “Slaves of the Sorcerer”.

Sandra is dancing superbly well most of the time but her rival does manage to get the wheel-chair bound twin sister out of the way for long enough to nearly put the kibosh on the dancing twin’s chances in front of the great Dame Valerie in the audience.

Trudy finds out that her sporting rivals have gone to the lengths of trying to poison Silver by slipping yew tree leaves in his feed bag – they really are sinking low.

Tammy 20 May 1978

Tammy cover 20 May 1978

Cover artist: John Richardson

  • Bella (artist John Armstrong)
  • Down to Earth Blairs (artist José Casanovas)
  • Mask for Melissa (artist Angeles Felices)
  • Get Set for Chess
  • Betta to Lose (artist Tony Coleman)
  • Bessie Bunter
  • Molly Mills and a Life of Crime (artist Douglas Perry, writer Maureen Spurgeon)
  • The Samaritan – Strange Story (artist Hugo D’Adderio)
  • Edie (artist Joe Collins)
  • Wee Sue (artist Mike White)
  • Circus of the Damned (artist Diane Gabbot)

 

Do you remember the first Jinty, Misty, 2000AD or other favourite comic you ever bought from the shelves? Well, this was the first Tammy I ever bought, and it was from here that my attraction to Tammy and other girls’ comics began.

I suspect even the British bobbies would get a laugh out of the joke on the cover and maybe even pin it up at the station. Perhaps Tammy knew that the UK police slang for traffic warden is “Gestapo”.

Bella has received a new job offer from a Mr Cox to introduce gymnastics to Port Tago, Australia. But when she tries to enter his hotel she gets barred because of her scruffy appearance (yes, they do have a point there Bella, and I for one would love to give you an Oubapo makeover!). So she resorts to breaking into the hotel, which gets her taken for a burglar. Can she get Mr Cox before the hotel gets the police onto her?

“Down to Earth Blairs” is Tammy’s answer to “The Good Life”. Redundancy has made the Blair family resort to a life of self-sufficiency, which they’ve come to enjoy, but there are still problems in how to make ends meet. This week it’s how to raise money to pay the rates. A gift from a gypsy gives the daughter Betsy the solution – homemade dolls made out of gypsy clothes pegs.

Melissa Mappin uses a mask to hide facial scars and works under the alias Gail Traynor in a London stage production. But hiding her face and true identity is causing problems, including giving the false impression she is stuck up. Worse, a girl who knew Melissa before the accident that scarred her face has shown up and is getting suspicious of her.

School sports star Betta James decides to start deliberately losing because she is tired of how the school and parents make her win sports all the time at the cost of social life, education, time for herself, and even being able to eat what she likes. But Betta is finding out that deliberately losing is not that easy because she is the winning kind by nature, so now she is resorting to sabotage. Unfortunately another girl is wrongly blamed for Betta’s self-sabotage. What can Betta do?

Miss Stackpole’s lesson on ancient Egypt sends Bessie off into one of her dream sequences. In the dream, she and Miss Stackpole are slaves in ancient Egypt and try to make a run for it. This leads to hijinks in the tomb of King Tut. The dream sequences in Bessie Bunter were always a favourite of mine because seeing the characters get so mixed up and put into different contexts was so funny.

Molly Mills has been on the run ever since Pickering framed her for theft from her employers, the Stantons. Now Molly’s sister Peggy is going off the rails and turning to actual crime. Molly has to resort to some shrewd measures to get Peggy straight again. Now that’s done, Molly is heading back to Stanton Hall, of all places.

There is nothing supernatural in this week’s Strange Story, although the superstitious fools in the story think otherwise. False accusations of witchcraft are levelled against a 17th century French charity worker, Marie Bisset, because her enemies want her out of the way. Fortunately Marie receives warning, and her uncle is also there to help her flee. Their escape has their pursuers actually thinking Marie has made herself disappear by witchcraft.

It’s fund-raising time for Wee Sue this week, and her big idea is the greasy pole challenge. Although it raises plenty of funds, it leads to a sticky situation in the end.

Carla Keble has been taken for tightrope star Princess Astrid and brought to Yablonski’s circus. Yablonski wants to make his circus the greatest show on Earth, which he does by blackmailing his performers into dangerous stunts, with no regard for their lives. How many people has he killed because of this? He also holds them prisoner with electric fences, guards and guard dogs, as Carla finds out when she tries to escape that night.

Sandie 25 March 1972

See also Mistyfan’s previous post on this issue.

Stories in this issue:

  • No-one Cheers for Norah (artist John Armstrong)
  • Odd Mann Out (artist A E Allen)
  • Brenda’s Brownies (artist and writer Mike Brown)
  • Anna’s Forbidden Friend (artist Miguel Quesada)
  • The School of No Escape (artist unknown artist ‘Merry’)
  • Our Big BIG Secret (artist Jim Baikie)
  • Not So Lady-like Lucy
  • Wee Sue (artist Vicente Torregrosa Manrique)
  • Little Lady Nobody (artist Desmond Walduck?)
  • Wendy the Witch (artist and writer Mike Brown)
  • Sandra Must Dance (artist Douglas Perry)
  • Bonnie’s Butler (artist Richard Neillands)
  • Silver Is a Star (artist Eduardo Feito)
  • A Sandie Pop Portrait – Gary Warren (artist Bob Gifford)

Norah’s horrible Uncle Philip tells Mrs Maddox an awful secret that makes her turn away from Norah – but what is it?

Susie gets her school class to set up a fete to collect money to help out the school – knowing that doing so will make the school look shamefully badly run. Which it is.

Anna tells Julia that Ramage the estate manager is behind much of the trouble between Julia’s father and the tenants. Julia will try to help, but in the meantime Anna is in danger.

Dale makes herself a robe so that she can pretend to be one of a group of masked schoolgirls who seem literally entranced by the evil Miss Voor – but her costume may put her in danger.

Wee Sue finds a way to save her school from being shut down in order for a motorway to be built through their land – all she needs to do is to ‘scale the wall of Swithers Castle without the aid of mechanical means’ (in this case by climbing up a pyramid of girl athletes).

Elaine and Mary resort to blowing the lock off the door in order to escape the gruesome death planned for them by one of their many enemies – and in their escape they even find some friends, finally.

Sandra and Joan have made up their quarrel and the psychic bond between them is operating at full force – so Sandra is set to give a super performance in front of Dame Valerie, patron of the Southern Ballet Company.

This week’s episode of “Bonnie’s Butler” is drawn by a fill-in artist – namely Richard Neillands, who drew “Darling Clementine” in Jinty some years later. Here it is:

click thru
click thru

Trudy ends up running the rag and bone cart in order to save Mr MacReady from worrying – but then her beloved horse Silver seems to fall sick.

Sandie 18 March 1972

I am going to try limiting myself to a maximum of one sentence for each story (particularly focusing on serials) otherwise I fear that I will never get through the pile of Sandies, even though it was a relatively short-lived title. I aim to revisit the serials later in the format of story posts (as we do for stories printed in Jinty and elsewhere): a sample episode, story summary, and discussion of relevant themes and points. So even if the stories are not described in much detail right now, you will get much more in later posts.

Stories in this issue:

  • No-one Cheers for Norah (artist John Armstrong)
  • Odd Mann Out (artist A E Allen)
  • Brenda’s Brownies (artist and writer Mike Brown)
  • Anna’s Forbidden Friend (artist Miguel Quesada)
  • The School of No Escape (artist unknown artist ‘Merry’)
  • Our Big BIG Secret (artist Jim Baikie)
  • Not So Lady-like Lucy
  • Wee Sue (artist Vicente Torregrosa Manrique)
  • Little Lady Nobody (artist Desmond Walduck?)
  • Wendy the Witch (artist and writer Mike Brown)
  • Sandra Must Dance (artist Douglas Perry)
  • Bonnie’s Butler (artist Julio Bosch)
  • Silver Is a Star (artist Eduardo Feito)
  • A Sandie Pop Portrait – Barry Gibb (artist Bob Gifford)

Mrs Maddox finds out some of the abuse that Norah is going through at the hands of her family: Norah is accepted into the swimming club as a non-paying member after all.

Susie Mann discovers that all the school textbooks and other material are decades out of date, and decides to do organize a fete to do something about it.

The episode of “Brenda’s Brownies” this week is particularly good: the last panel is my favourite, I think it really makes it.

Julia helps Anna escape from trouble-makers at her housing estate, but the estate itself is banding together against Anna’s father who is planning to kick them all out, so tempers are rising.

Dale finds a hidden room with CC TV and and witnesses Miss Voor doing mysterious things to their school mate Agnes.

Wee Sue says she’s not that good at gym but with the help of a book she seems to master it very quickly. She seems a bit too much of a wonder girl, I must say.

Little Lady Nobody is not far from an exciting close – Elaine Moresby’s life keeps on being threatened by the associates of her evil uncle. Will she get blown up in the latest attempt?

Sandra and her sister Joan discover they have been tricked by an enemy who has been trying to separate them – they make amends and re-join forces to allow Sandra to keep dancing until Joan’s back is better.

Trudy skips detention at school in order to ride in a race, which she would have won if not for the sneaky trick of her rival, swiftly followed by the medical collapse of her mentor Mr Macready.