Cover artist: Audrey Fowley
Bella (artist John Armstrong)
Babe at St. Woods (José Casanovas)
What’s Wrong with Rhona? (artist Eduardo Feito)
25 Years Ago This Week – Jubilee feature
Wee Sue (artist Richard Neillands)
Bessie Bunter (artist Arthur Martin)
Molly Mills and the Comic Capers (artist John Johnston, writer Maureen Spurgeon) – final episode
The Caliph’s Jewels (artist Hugo D’Adderio) – Strange Story
Witch Hazel (artist Giorgio Giorgetti)
Time Trap! (artist Tony Higham) – first episode
For the 1977 issue in our Tammy June round, it just has to be the Jubilee issue, seeing as the Queen’s Jubilee is topical this year. For the commemorations, Tammy takes a flashback look at the Coronation, and Wee Sue and Bessie both plan Jubilee pageants but run into obstacles that threaten to derail everything. It takes a bit of quick-thinking, determination and strokes of luck before things work out happily. The Bessie Bunter episode looks like it was a reprint, with a bit of new text bodged in to give it the Jubilee context.
The Crown Jewels cover also adds the theme of jewels to the issue, which carries on in the Strange Story, “The Caliph’s Jewels”, in which the Storyteller retells the Dutch folktale of The Lady of Stavoren, a cautionary tale about treating food with respect. So it’s not about jewels, then? The arrogant Lady of Stavoren discovers too late that food becomes as precious as jewels when you face starvation. There are over 27 versions of the tale. The Tammy version appears below. It is illustrated by Hugo D’Adderio, whose artwork is always popular.
The new story this week, “Time Trap!”, is a gem too. Tammy takes on the subject of reincarnation and hypnotic regression, which is a novel thing for her to do. Another gem, now on its penultimate episode, is “Witch Hazel”, which looks like it was inspired by Catweazle. A 16th century apprentice witch comes to the 20th century to learn witchcraft, but she doesn’t understand that witchcraft is not exactly on the curriculum of 20th century schools, nor can she grasp how the 20th century works. Another jewel in Tammy’s crown is the hugely popular “Babe of St. Woods”, starring a gangster’s daughter who uses all her gangster know-how to get herself and her friends out of all sorts of scrapes at boarding school. And “What’s Wrong with Rhona?” is a sparkler. Rhona has been acting very strangely ever since she picked up a strange doll. Things hit their nadir this week when her odd behaviour makes her steal a calculator, and now the police are on her doorstep! Help, is she on her way to juvenile court?
The Bella story takes a surprise turn this week. Bella is giving us her origin, as told to her American Indian friend Oona Tall Tree. She tells Oona (and us) how she started on gymnastics before her orphaning (which doesn’t quite fit her first story on how she discovered gymnastics while window-cleaning for Jed and Gert) and how she lost her parents. It’s a surprise to see the flashback shows Bella did not have her trademark pigtails or overalls back then.
The latest Molly story, the “Comic Capers”, is Molly’s funniest story ever. It takes the unusual twist of parodying itself through a satire of Stanton Hall and its staff, which Pickering submits to a magazine, and it is drawn by a comical artist (John Johnston), who has been doing a number of Wee Sues of late. Sadly, it ends this week, and Molly will be back to business as usual with her usual artist next week.
There has also been a notable change in the artwork of Wee Sue. It used to be an artist doing a long stint (Mario Capaldi, John Richardson), but now there is a trend towards more variety of art work in her strip; artwork from John Johnston and Richard Neillands is now appearing. This trend in a variety of Wee Sue artwork would continue, with Hugh Thornton-Jones, Mike White, Jim Eldridge and Robert MacGillivray added to the mix.